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<loc>https://www.hollywoodreporterindia.com/global/interviews/bhansali-productions-ceo-prerna-singh-on-bringing-big-bollywood-to-the-small-screen-with-netflixs-heeramandi</loc>
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<image:caption><![CDATA[ Heeramandi: The Diamond Bazaar ]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/import/bms-new/article/2024-10-21T15-33-16-511Z-WIE_Prerna-SinghBhansali-Productions.webp</image:loc>
<image:caption><![CDATA[ Prerna Singh, CEO Bhansali Productions]]></image:caption>
</image:image>
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<lastmod>2024-10-28T14:38:49.233Z</lastmod>
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<url>
<loc>https://www.hollywoodreporterindia.com/features/insight/yash-confirms-kgf-3-is-in-the-works</loc>
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<image:loc>https://media.assettype.com/hollywoodreporterindia/import/bms-new/article/2024-10-21T10-20-35-080Z-Yash1.jpg</image:loc>
<image:caption><![CDATA[ Yash for The Hollywood Reporter India]]></image:caption>
</image:image>
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<lastmod>2024-10-30T11:50:56.877Z</lastmod>
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<url>
<loc>https://www.hollywoodreporterindia.com/reviews/theatrical/tabaah-review-a-poignant-love-story-sans-crutches-of-melodrama</loc>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/import/bms-new/article/2024-10-21T09-11-17-919Z-Tabaah.jpg</image:loc>
<image:caption><![CDATA[ <i>Tabaah</i>.]]></image:caption>
</image:image>
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<lastmod>2024-11-01T11:10:22.786Z</lastmod>
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<url>
<loc>https://www.hollywoodreporterindia.com/features/insight/how-theatrical-re-releases-of-old-films-are-granting-them-new-lease-of-life</loc>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/2026-02-27/rnopkk0l/_2024_10_21T06_3A15_3A12_284Z_Tumbbad11.jpg</image:loc>
<image:caption><![CDATA[ <i>Tumbbad</i>.]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/2026-02-27/9mgmldz8/_2024_10_21T06_3A16_3A00_866Z_RHTDM.jpg</image:loc>
<image:caption><![CDATA[ <i>Rehnaa Hai Terre Dil Mein</i>.]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/2026-02-27/cujwtgi4/_2024_10_21T06_3A16_3A57_792Z_Sholay1.jpg</image:loc>
<image:caption><![CDATA[ <i>Sholay</i>.]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/import/bms-new/article/2024-10-21T06-18-43-605Z-Re-release-Movies.jpg</image:loc>
<image:caption><![CDATA[ <i>Sholay</i> (1975), <i>Rehnaa Hai Terre Dil Mein</i> (2001), <i>Tumbbad</i> (2018), <i>Devadoothan</i> (2000). ]]></image:caption>
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<lastmod>2024-11-08T06:01:59.217Z</lastmod>
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<url>
<loc>https://www.hollywoodreporterindia.com/features/insight/is-cameo-culture-in-mainstream-cinema-a-weapon-of-mass-distraction</loc>
<image:image>
<image:loc>https://media.assettype.com/hollywoodreporterindia/import/bms-new/article/2024-10-21T06-07-19-948Z-Cameo1.jpg</image:loc>
<image:caption><![CDATA[ Cameo, Cameo Everywhere ]]></image:caption>
</image:image>
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<lastmod>2024-10-29T08:51:57.355Z</lastmod>
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