Suggested Topics :
A.R. Rahman, Hariharan, Sonu Nigam and Shaan came together at Mumbai’s Jio World Garden on the late maestro’s barsi, turning a packed concert into an evening of remembrance.
As cinemas fill up with alpha heroes and grim spectacle, Vir Das makes a case for unapologetic, joke-dense comedy.
Taking over from Hugh Laurie, actor Diego Calva speaks about humanising Teddy, avoiding clichés, and the charged tension opposite Tom Hiddleston in the second season of the hit show
As the series returns, actor Tom Hiddleston speaks about trauma, moral clarity and why his character Jonathan Pine’s calm exterior hides a far more dangerous man.
As tentpoles faltered and OTT safety nets vanished, 2025 forced theatres to relearn an old truth: survival lies not in spectacle alone, but in a steady diet of films that connect.
Indian cinema’s unpredictable future has an unexpected solution — and it lives in our gaming consoles.
This third trip to Pandora with 'Avatar: Fire and Ash' is ravishing, earnest, and emotionally overloaded.
Kalki Koechlin reflects on her new Franco-American film 'Her Song,' the tyranny of spectacle, and the disappearance of indie cinema.
After years of hypermasculine heroes, the monstrous feminine finally found its place in 2025, as India discovered its bloodlust with vampires in 'Lokah,' 'Thamma,' 'Sister Midnight' and 'Sinners'
In her directorial debut 'Saali Mohobbat', streaming on ZEE5, Tisca Chopra turns her decades of curiosity into an unsettling drama.
The actor warns that the industry’s reliance on gore, misogyny and shoddy storytelling is ‘harmful’, urging artistes to stop normalising brutality on screen.
Radhika Apte returns with 'Saali Mohabbat' and a clear-eyed critique of an industry addicted to noise, speed and spectacle.
The 'Bend It Like Beckham' filmmaker speaks to THR India about reimagining Dickens through a South Asian lens, making a Capra-esque Christmas film for her children’s generation with 'Christmas Karma,' and navigating an industry in flux.
Judy, Nick and a lisping blue viper return in a sequel that’s funnier, warmer and stranger than expected, but in all the right ways.
Every year, singer and actor Sophie Choudry trades Mumbai’s noise for a week of stillness in Maria Wörth, a lakeside Austrian village where silence is the main attraction.
As she brings her podcast to India and debuts an award-winning feature, the multi-hyphenate leans into discomfort, nuance and the actual work of representation.
Panahi’s Palme d’Or winner begins as wry, disorienting comedy and slips into a nightmare of memory, complicity and state-sanctioned terror.
Lee Byung-hun anchors Park’s savage, dark satire, a homicide-laced howl against capitalism that keeps upping the stakes until they curdle.
Jarmusch’s star-studded triptych glints with moments of quiet absurdism and tender observation, but its pieces never cohere into the haunting family portrait they seem to promise.
The two veteran actors offered a rare mix of technique, philosophy and humour as they unpacked their journeys, acting methods and the discipline behind powerful screen performances.
