 universe is set to return to the big screen with its most ambitious chapter yet. 

, the third instalment in the record-breaking sci-fi saga, will release in cinemas across India on 19 December 2025. The film will be made available in six languages — English, Hindi, Tamil, Telugu, Malayalam and Kannada — reinforcing its position as one of the most widely accessible Hollywood releases in the country to date.

'Avatar: Fire and Ash' Trailer Promises a Visually Stunning Return to Pandora From James Cameron

 in conversation with Anushka Shah, founder of Civic Studios, for an evening that traced the emotional and cultural threads running through Chadha’s body of work. Speaking to a packed room, the 

. She reflected on how diasporic memory, identity, and the feeling of “carrying your parents with you” continue to shape her filmmaking. Chadha also revealed that her film’s contemporary Scrooge is inspired by a close friend from Uganda who arrived in the UK as a refugee — a reminder, she noted, of the lived histories that underlie her stories.

From there, the conversation broadened into the ways Civic Studios is supporting the film’s release in India, and how Chadha and Shah remain deeply connected to the creative circuits linking London and Mumbai.

What followed — as with so many gatherings at the club — was a natural extension of Soho House Mumbai’s commitment to nurturing a vibrant, collaborative film culture for its members.

At Soho House Mumbai, the members-only film programme is built on breadth, access, and thoughtful curation. Each month, members can explore around 30 distinctive titles across genres and formats — from the latest theatrical releases to world cinema, regional-language gems, documentaries, shorts, and festival favourites. Sundays bring family-friendly screenings, widening the circle of cinephiles who feel at home there.

A cornerstone of the programming is the monthly Film Club, which champions independent Indian cinema. Since launching in 2021, Film Club has brought pan-Indian indies to the fore, each screening followed by in-depth Q&As with filmmakers and crew — often flown in from across the country. Over the years, the club has featured titles such as 

 by Natesh Hegde (curated by Smriti Kiran for her Lightbox series), 

Located in the heart of Juhu, the House is naturally entwined with Bollywood’s creative community. Intimate conversations and surprise visits from industry names are woven into the fabric of the programme: Zoya Akhtar (

, Taapsee Pannu and Anubhav Sinha (for a preview of 

 in collaboration with member Ankur Pathak’s AK Talkies), and Vishal Bhardwaj (

) have all been part of the calendar. For the club’s fifth anniversary, a special series — 

 — culminated in a conversation with Anurag Kashyap and Kiran Rao, moderated by Rajeev Masand.

As a private members’ club, the screening room is free from the censorship restrictions that govern public cinemas, opening the door for exclusive access to unreleased and pre-release titles. Recent previews this year have included 

Television also plays a significant role in the programme. Members enjoy early access to series premieres, often followed by conversations with the creators. Highlights include 

Collaboration remains central to the spirit of the House. Member-led film properties frequently come to life through the programming: ALP — a celebration of short-form video spanning ads, shorts, music videos, and new media — was conceptualised by member Reema Maya and developed with the Soho House team. During Pride Month, 

, curated with Gaysi founder Sakshi Juneja, honours queer cinema. Documentary programming is strengthened through a partnership with Kriti Film Club. Additionally, the monthly “Member’s Pick” series invites a member to select and introduce a film that continues to inspire them.

All of this unfolds within a state-of-the-art screening room that rivals the best multiplexes in Mumbai. It’s a space designed for discovery especially for independent films that deserve the spotlight, and for a community that values thoughtful curation and shared experience.

At Soho House Mumbai, film is not just programming. It’s a culture built by its members.

Gurinder Chadha on Diaspora and 'Christmas Karma' — and the Film Culture That Soho House Is Building in Mumbai

 had a short-lived crash on Thursday morning after 

 — the final chapter of the streamer’s biggest global phenomenon — dropped worldwide. Within minutes of the release, fans logging in to watch the Hawkins crew’s last stand overwhelmed the platform, triggering a wave of outages across multiple countries.

The service was down for nearly an hour for many users in the US, with Downdetector logging over 8,000 complaints. Reports of frozen screens, stalled episode loads and mid-play crashes rolled in from India as well, where Netflix confirmed a brief early-morning disruption.

The frenzy wasn’t entirely unexpected — co-creator Ross Duffer had said earlier that Netflix had ramped up bandwidth by 30 percent in anticipation — but clearly, the Upside Down energy proved harder to contain than planned.

The streamer also broke its usual pattern by skipping the standard 12:30 pm IST launch slot. Instead, 

 dropped at 6:30 am IST (coinciding with US prime time), triggering a tidal wave of global logins as fans raced to avoid spoilers. Given that Season 4 shattered Netflix records with over a billion viewing hours, the rush for the series' final season was always going to be a high-pressure stress test.

Netflix acknowledged the issue in an emailed response to Reuters, confirming that “some members briefly experienced an issue streaming on TV devices, but service recovered for all accounts within five minutes.” 

With the final season promising an end to the fight against Vecna, long-awaited character arcs, and the kind of emotional devastation the Duffers have practically trademarked, fans clearly weren’t willing to wait even a few minutes. And if the early-morning crash is any indication, the show’s farewell tour is already shaping up to be one of the biggest streaming events of the year.

‘Stranger Things 5’ Premiere Crashes Netflix as Global Fan Frenzy Overwhelms Platform

Recently, A24 unveiled the first trailer for 

, Josh Safdie’s gleefully stylised 1950s-set sports dramedy, with Timothée Chalamet trading brooding indie turns for a paddle and a swaggering slice of Americana.

The film is Safdie’s first solo feature in more than a decade, and his first since co-directing the frenetic diamond-dealer thriller 

 with his brother Benny in 2019. Here, he turns his lens to the little-filmed world of competitive table tennis, spinning a fictionalised account inspired by Marty Reisman — the flamboyant, sharp-tongued New Yorker who won five World Table Tennis Championships bronze medals before becoming the sport’s most recognisable showman.

Chalamet plays Marty Mauser, a prodigiously talented but underestimated player, driven as much by style as by victory. His quest for respect propels him through smoky clubs and cramped hotel rooms, into the arms of a Hollywood movie star — played by Gwyneth Paltrow — and onto the volatile circuit of mid-century sports promotion. Alongside Chalamet and Paltrow, the cast features Fran Drescher as Mauser’s acerbic mother, rapper Tyler, the Creator, magician Penn Jillette, Odessa A’zion, 

 investor Kevin O’Leary and cult filmmaker Abel Ferrara.

Safdie co-wrote the screenplay with long-time collaborator Ronald Bronstein, keeping Reisman’s brash charisma but weaving in imagined romances, rivalries and road trips. Cinematographer Darius Khondji captures the film’s palette in golden tones, with Chalamet reportedly undertaking months of intensive ping pong training to perfect the footwork, angles and spin of a professional. “He wanted to be like a real [professional] ping pong player when he started shooting,” Khondji told reporters earlier this year.

Produced by Safdie, Bronstein, Eli Bush, Anthony Katagas, Chalamet and A24, 

 arrives in US cinemas on 25 December, eyeing both holiday audiences and awards-season attention. For Chalamet, it is another step into transformative territory, especially one that swaps the brooding romanticism of 

 for the quicksilver wit and unshakable confidence of a man who made table tennis theatre.

In Safdie’s hands, ping pong has never looked this big-screen ready.

'Marty Supreme': Timothée Chalamet Serves Up Swagger in Josh Safdie’s 1950s Ping Pong Drama

 has set the Marvel fandom alight with a single image of the Avengers logo posted to Instagram without a caption. The 

 star offered no explanation, prompting a frenzy of speculation that his irreverent antihero could join Earth’s Mightiest Heroes in 

Fans wasted no time in decoding the tease. “Alright, what are you up to?” asked one, while another pleaded, “Don’t give me hope.” Others treated it as confirmation: “If you are saying what I think you’re saying, I’m actually gonna scream.”

Reynolds has previously played down the idea. In a past interview with 

, he joked that making Deadpool an Avenger or X-Man would be “wish fulfilment” and therefore “the end” for the character. Still, the actor’s social media history is littered with tongue-in-cheek reveals that later proved accurate.

co-star Hugh Jackman, who has been similarly evasive about whether Wolverine will appear in 

. “I really can’t say much,” he told reporters, before quipping about “dominating and destroying every other character.” Jackman has clarified that his remarks were made in jest but MCU fans have been keeping their fingers crossed.

Marvel Studios has not commented on Reynolds’ post yet. In May, Disney confirmed that 

 had been pushed back from 1 May 2026 to 18 December 2026, as part of a wider reshuffle of the Marvel Cinematic Universe’s release schedule. Its follow-up, 

, has also been delayed by seven months, to 17 December 2027.

Whether Reynolds’ tease is genuine, a marketing ploy, or simply a bit of playful trolling remains to be seen. For now, the possibility of Deadpool gatecrashing the Avengers has given fans something to debate over — and a reason to keep watching his feed.

Ryan Reynolds Fuels Speculation Over Deadpool’s Avengers Debut

Ozzy Osbourne, the influential singer and founding member of the pioneering heavy metal band Black Sabbath, has died at the age of 76, his family confirmed on Tuesday.

“It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” the family said in a statement. “He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time.” No cause of death has been disclosed.

Osbourne’s death comes just weeks after he reunited with Black Sabbath for a performance in his hometown of Birmingham, England. Billed as “Back to the Beginning,” the concert marked the first time in two decades that Osbourne performed alongside original members Tony Iommi, Geezer Butler and Bill Ward. The show was also described as his “final bow.”

Born John Michael Osbourne in Birmingham in 1948, he was the son of a factory worker and a toolmaker. After a brief stint in prison as a teenager, he found musical inspiration in The Beatles and went on to form Black Sabbath in 1968. The band’s debut album was recorded in 1969, and its follow-up, 

 (1970), propelled them to international fame.

Osbourne was known for his theatrical stage presence and infamous antics, including the widely publicised incident of biting the head off a bat during a 1982 concert. Dismissed from Black Sabbath in 1979 due to substance abuse, he launched a solo career that produced 11 studio albums and multiple Grammy wins.

In the early 2000s, Osbourne found renewed fame through the reality television series 

, which offered a candid look at his family life. The show, which aired from 2002 to 2005, won a Primetime Emmy and helped establish his wife Sharon and children Kelly and Jack as public figures in their own right.

Osbourne was inducted into the Rock and Roll Hall of Fame with Black Sabbath in 2006. He won three Grammy Awards as a solo artist, including two in 2023 for best rock album and performance.

Ozzy Osbourne, Black Sabbath Frontman and Heavy Metal Icon, Dies at 76

 is officially flying into theaters this weekend, and following the Los Angeles premiere on Monday night came the first audience reactions as the film’s social media embargo lifted.

While reviews aren’t expected until tomorrow, initial social reactions online from press, influencers and media that have screened the film appear to be positive. “A terrific start for the new DC Studios,” wrote 

’s Perri Nemiroff offers: “The movie is loaded with exhilarating action set pieces and well-placed humor and levity.”

, out July 11, which stars David Correnswet as the Man of Steel. The film also stars Rachel Brosnahan as Lois Lane and Nicholas Holt as Lex Luthor. Rounding out the cast is Skyler Gisondo as Jimmy Olsen, Isabela Mercad as Hawkgirl, Beck Bennett as Steve Lombard, Nathan Fillon as Guy Gardner, Anthony Carrigan as Metamorpho and Edi Gathegi as Mister Terrific.

 in February of this year, “People are looking for heroes right now. They are looking for values of goodness, looking for people who are good and decent human beings. And Superman is that.”

The movie marks the first DC film entry for Gunn since he took over the reins of Warner Bros’ superhero label with producer Peter Safran in October 2022. Other upcoming DC Studios projects include HBO’s Green Lantern series 

“The DC brand was being defined by different creative teams at the company, each was pursuing their own distinct vision of the characters, the story — the result was not one DCU but many,” said Safran in February. “This fracture proved very challenging to consumers and it chipped away at the identity of the brand.”

See more first reactions from Superman below.

‘Superman’ First Reactions: “A Terrific Start for the New DC Studios”

 has set a new record at Netflix. The dystopian South Korean action drama has garnered 60.1 million views within its first three days of release, according to the streamer's 

The concluding chapter of the thriller, which premiered last Friday, has reportedly already climbed to No. 7 on Netflix’s list of most popular non-English TV series of all time. The show ranked as the No. 1 show in 93 countries and accumulated 368.4 million hours of watch time since its 27 June release, according to 

By comparison, according to several reports,

, which debuted in December, recorded 68 million views in its first four days, overtaking 

's records. The second part of the latest season documents the journey of Gi-hun (

), who, having taken a viscerally darker turn, returns to the tragic games to burn its operations to the ground. The season also explores the power dynamics between Gi-hun and the Front Man, played by Lee Byung-hun.

 is no longer just a show — it’s a global phenomenon. And with Season 3, the series returned more timely than ever. Where Season 2 probed democratic processes through elections, the new chapter entered the void of human nature itself — exploring desensitisation and moral collapse, above all else.

If Season 3 feels darker, that’s by design. In an interview with 

, creator and director Hwang Dong-hyuk explains that he didn’t rely on overt filmmaking tricks, but rather, on what he explains as the emotional architecture. The visual language mirrors internal torment. “The version of Gi-hun you will see in the third season is the darkest version of him that you've ever seen,” he says. “He has no words or dialogue, and all of his emotions are conveyed through his eyes or facial expressions. He seems to be stuck — locked up in a dark abyss.”

For Lee Jung-jae, who plays Gi-hun, the journey into darkness demanded extraordinary discipline — both emotionally and physically. “I tried to maintain Gi-hun’s emotional state as closely and as much as possible,” he explains. “I did constant image training in order to stay in Gi-hun’s mind so that even by me sitting there, you can feel like you get the actual Gi-hun.”

‘Squid Game’ Season 3 Breaks Netflix Record; Crosses 60 million views In Three Days

 to 007. The filmmaker has been tapped to direct the next 

 movie, the first from Amazon MGM Studios.

Tanya Lapointe, Villeneuve’s artistic partner and wife, will serve as an executive produver. As previously announced, Amy Pascal and David Heyman will serve as producers.

“Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since

 with Sean Connery. I’m a die-hard Bond fan. To me, he’s sacred territory. I intend to honor the tradition and open the path for many new missions to come,” said Villeneuve. “This is a massive responsibility, but also, incredibly exciting for me and a huge honor.”

Pascal and Heyman added, “Denis Villeneuve has been in love with James Bond movies since he was a little boy. It was always his dream to make this movie, and now it’s ours, too. We are lucky to be in the hands of this extraordinary filmmaker.”

Bond is one of the most sought-after franchises for filmmakers. Reportedly, directors who met for this film also included Edward Berger, Edgar Wright and Paul King.

, which earned over $700 million at the box office and several Oscar nominations, including best picture, winning best sound and best visual effects. Currently, he is in prep on the third 

 film, which is scheduled to shoot this summer.

It’s unclear when Bond will begin production, but the search is underway for a screenwriter who will work with Villeneuve to bring the newest incarnation of the secret agent to the big screen.

The new Bond will mark the franchise’s 26th title and the follow-up to 2021’s 

, which was directed by Cary Joji Fukunaga and served as Daniel Craig’s swan song as 007. This film will also mark the first Bond outing following 

In 2022, Amazon acquired MGM, which allowed the tech/entertainment company the rights to distribute all future James Bond films. But, until this year, there was little movement due to the impasse between Amazon executives and the longtime shepherds of all things Bond, Michael G. Wilson and Barbara Broccoli. In February, it was announced that Wilson and Broccoli were pursuing a deal with Amazon that would allow the studio to control the creative on future productions.

Mike Hopkins, head of Prime Video and Amazon MGM Studios, commented, “We are honored that Denis has agreed to direct James Bond’s next chapter. He is a cinematic master, whose filmography speaks for itself.”

, Villeneuve said, “I would deeply love one day to make a James Bond movie.”

 A previous version of this story incorrectly stated that Villeneuve would be the second non-British director of a Bond movie.

Denis Villeneuve to Direct Next James Bond Film

 isn’t here for any criticism of embracing her sexuality in her discography.

” singer is opening up about the judgment she receives from her sexy songs and performances, specifically at her concerts. In her 

 cover, which was published Thursday, Carpenter admitted that she finds it “funny” when people “complain” about her lustful tracks, especially because those are some of her most popular songs. 

“It’s always so funny to me when people complain. They’re like, ‘All she does is sing about this.’ But those are the songs that you’ve made popular,” she said. “Clearly you love sex. You’re obsessed with it. It’s in my show.”

Carpenter has been condemned for her “Juno” segment of the 

, where she launches into a different sex position when she sings the track’s lyric, “Wanna try out some freaky positions? / Have you ever tried this one?” The moment typically goes viral with each performance she does of the track, adding that she “can’t control” what gains traction online. 

“There’s so many more moments than the ‘Juno’ positions, but those are the ones you post every night and comment on,” she added. “I can’t control that.” 

On the topic of criticism of her sensuality, the Grammy winner also said that she “truly feel[s] like I’ve never lived in a time where women have been picked apart more and scrutinized in every capacity.” 

“I’m not just talking about me. I’m talking about every female artist that is making art right now,” Carpenter said. “We’re in such a weird time where you would think it’s girl power, and women supporting women, but in reality, the second you see a picture of someone wearing a dress on a carpet, you have to say everything mean about it in the first 30 seconds that you see it.”

Carpenter announced her seventh studio album, 

, on Wednesday after releasing the record’s first single, “Manchild” last week, which was released a year after her 2024 track “Please Please Please,” also known as her 

 will arrive Aug. 29, almost exactly a year after she released the Grammy-winning 

The swiftness of Carpenter’s latest release, too, has drawn in critique, which she also addressed in her cover story. She defended releasing the new album so soon after 

noting that she wasn’t going to halt her releases because of industry standards and felt “inspired to write and make something new.” 

“If I really wanted to, I could have stretched out 

 much, much longer. But I’m at that point in my life where I’m like, ‘Wait a second, there’s no rules.’ If I’m inspired to write and make something new, I would rather do that,” Carpenter explained. “Why would I wait three years just for the sake of waiting three years? It’s all about what feels right. I’m learning to listen to that a lot more instead of what is perceived as the right or wrong move.” 

Sabrina Carpenter Slams Critics Who “Complain” She Only Sings About Sex: “Those Are the Songs That You’ve Made Popular”

 trailer released online, the forthcoming movie is aiming to be as popular as the first one.

‘s feature that hits theaters Nov. 21 and stars 

 in April for the studio’s presentation to exhibitors, where the 

centers on the two witches facing the consequences of their previous decisions and its impact on their friendship. The footage teases the first look at Dorothy, albeit without revealing her face, and also includes the yellow brick road, a wedding and no shortage of flying monkeys.

“Elphaba, they’re coming for you,” Glinda warns near the end of the trailer.

Rounding out the cast are Jonathan Bailey, Ethan Slater, Marissa Bode, Michelle Yeoh and Jeff Goldblum. Winnie Holzman and Dana Fox penned the script for the project that counts Marc Platt and David Stone as producers.

The two-part feature adaptation of the Tony-winning 

 smash had been long in the works after the stage version debuted in 2003. The first 

 film hit theaters last November and soared to nearly $750 million at the global box office, making it the top-grossing Broadway adaptation ever.

Loosely based on author Gregory Maguire’s 1995 novel 

Wicked: The Life and Times of the Wicked Witch of the West

s characters before Dorothy’s arrival. It remains a Broadway sensation, with 

 following the success of the first movie. Last year’s film collected two Oscar wins from 10 nominations.

Platt, the prolific producer behind both the stage and film versions, explained 

 earlier this year that he was initially hesitant to split the screen adaptation into two separate features.

“I remember going to the movies as a kid and watching musicals or 

 that had intermissions in it, and that was actually my dream for 

, that we could do it with intermission,” Platt said at the time. “That was one battle I lost.”

‘Wicked: For Good’ Trailer Teases Glinda and Elphaba’s Fates as Dorothy Arrives

TV series has found its Harry, Ron and Hermione. The trio of Hogwarts freshmen are newcomers to Hollywood.

This time, Dominic McLaughlin will play Harry Potter, Arabella Stanton is Hermione Granger and Alastair Stout

is the new Ron Weasley. In the films, those roles were played by Daniel Radcliffe, Emma Watson and Rupert Grint, respectively. There were eight 

 movies — a spinoff of the original IP. Author J.K. Rowling wrote seven 

 books; the eighth book in the series was split into two movies.

“After an extraordinary search led by casting directors Lucy Bevan and Emily Brockmann, we are delighted to announce we have found our Harry, Hermione, and Ron,” showrunner and executive producer Francesca Gardiner and executive producer and director (of multiple episodes) Mark Mylod said in a joint statement. “The talent of these three unique actors is wonderful to behold, and we cannot wait for the world to witness their magic together onscreen. We would like to thank all the tens of thousands of children who auditioned. It’s been a real pleasure to discover the plethora of young talent out there.”

HBO very publicly hosted an open casting call to find this next installment’s new kids. Previously-announced cast can be found 

 series, not (yet?) officially titled “Harry Potter,” to be clear, will be “

 books,” HBO says. The series will stream 

The HBO series is produced in association with Brontë Film and TV and Warner Bros. Television. It is executive produced by Rowling, Neil Blair and Ruth Kenley-Letts of Brontë Film and TV, and David Heyman of Heyday Films.

 the series will begin production this summer for a 2026 rollout. See the new kids; you can probably figure out who is who.

HBO’s ‘Harry Potter’ Series Finds Its Harry, Ron and Hermione

For anyone thinking the glittering crowd at the Met Gala, which takes place on the first Monday in May, had become a bit expected, Anna Wintour held a few surprises up the sleeve of her 

 silk evening coat at last week’s event. This year’s guest list highlighted a healthy contingent of first-time attendees, expanding the who’s who of the night to include a variety of A-list athletes and Bollywood stars, as well as the castmembers of 

The night’s dressing theme, “Tailored for You,” impacted the brands seen on the carpet, as a variety of suiting interpretations and their accompanying accessories paid tribute to the Costume Institute’s new exhibition, “Superfine: Tailoring Black Style,” which explores dandyism extending to the 19th century and fashion as an element of Black identity and is now open through Oct. 26.

Ultimately, how did luxury brands fare on this starry night? 

, which measure earned engagement of the awards season’s five major events between January and March, plus May’s Met Gala. Recognized as the industry standard for modern brand measurement, Launchmetrics employs its proprietary Media Impact Value (MIV) algorithm to analyze and rank both brands and stars, spanning five categories: fashion, watches and jewelry, and accessories, as well as the top five women and the top five men at each event. The Launchmetrics MIV algorithm assigns a monetary value to every post, social media interaction and editorial story to determine a brand’s influence and earned engagement.

At the 2025 Met Gala, that translated to a total MIV of $1.3 billion, with the top 10 or top five spots across the categories accounting for almost $445 million of that total. Even more impressive: That total was collected in only 48 hours following the kickoff of the Met Gala carpet, versus seven days of measurement in 2024, which totaled $1.4 billion. Among stars and brands, who fared well, and who truly surprised? Check out the results below.

Top 10 Fashion Brands: Pharrell Williams Styles Louis Vuitton to a Solid Victory

Perhaps the least surprising stat of the night is Louis Vuitton’s first-place finish among the top fashion brands. After all, the iconic French house is the primary sponsor of “Superfine: Tailoring Black Style,” while men’s creative director Pharrell Williams also served as one of the night’s co-chairs, alongside Colman Domingo in Valentino, Lewis Hamilton in Wales Bonner, and A$AP Rocky, who wore a look from his own AWGE label. On the carpet, Pharrell discussed the handwork of his own jacket, fully embellished with pearls to create a pinstripe effect, while he also worked with a variety of stars on their looks, occasionally venturing into women’s design to create a look. “I’m such a massive fan of Pharrell’s and have been to the show,” Sabrina Carpenter explained to La La Anthony on the carpet. “I was just like, ‘If I could go this year with him, that would be my dream,’ and it came true.”

For Carpenter, Pharrell designed a custom burgundy pinstriped tailcoat accented with crystal buttons, worn over a pinstriped bodysuit and paired with Chopard diamonds, the overall look creating the effect of a glamorous circus ringleader. “He said, ‘You are quite short, so no pants for you,'” Carpenter added to Anthony about her leggy styling. Carpenter and Pharrell were among the 10 stars Louis Vuitton dressed for the evening, including Jeremy Allen White, Doechii, Pusha T and Malcolm Washington. Fold all that exposure together, and the result was an MIV of $55.2 million.

But it was Manobal, who’s in the midst of a transition from Blackpink to both a solo album and an acting career that kicked off with her debut role as Mook in 

, who dominated the rankings of top five women. Pharrell likewise designed her bespoke look, which included a boned jacket over a corseted bodysuit and tights embellished with Louis Vuitton’s Monogram motif. In 

 that thus far has garnered more than 3.3 million likes, the Thai-born actress and singer thanked Pharrell, Wintour “and the entire team who made my custom tailored look a reality.”

Coming in second and third were Thai model and actress Sarocha Chankimha in Valentino and Blackpink’s Jennie in 

. The latter posted her Met Gala look three times to her 87.2 million Instagram followers, garnering a total of almost 10 million likes and 47 million replies, numbers any brand would envy. And make no mistake, Instagram engagement matters. Two powerhouses of the platform, 

, with 149 million followers, earned the fourth and fifth spots in the top five — surprising numbers from two women who routinely place first, but here’s the difference: Neither woman, or their teams, posted her look to her Instagram. That’s lost engagement for the brands they wore and is the chief explanation for their lower positions on the chart.

Top 5 Men: A Bollywood Superstar Earns the Top Spot

If you’re checking out the men’s rankings and thinking “Who is Shah Rukh Khan?” then you’re likely not a Bollywood fan. Among other nicknames, he’s called “King Khan” for appearing in more than 100 films, and he made history at the Met Gala as the first male Bollywood star to attend the event. Khan explained on the carpet that he was invited by Sabyasachi Mukherjee, himself a superstar of India’s fashion industry. Wearing a suit by the designer, Khan also sported one of the night’s perfect dandy accessories, a walking stick, conceptualized by Mukherjee to feature a Bengal tiger in 18-karat gold and embellished with tourmalines, sapphires, old mine-cut and brilliant-cut diamonds. Khan’s own Instagram post to his 47.9 million followers has garnered more than 5.3 million likes and 80,500 replies, all contributing to his first-place finish of $19 million in MIV.

Punjabi actor, singer and producer Diljit Dosanjh took the third position wearing a Prabal Gurung look inspired by royal Sikh attire and earning an MIV of $7.3 million, while Hamilton, Domingo and Bad Bunny, who wore Prada, filled out the top five spots among Met Gala men. Notably, the total among the top five men came in at $48.6 million in MIV, a figure easily eclipsed by the top women, who earned almost twice that number: $86.2 million. Even at an event celebrating dandyism and tailoring, women on red carpets continue to dominate the conversation and earned engagement.

Top 10 Watch & Jewelry Brands: Cartier & Tiffany & Co. Dressed More Than 30 Attendees

Quantity plays a significant role in jewelers’ placements in the Power Rankings. Cartier provided its gold and diamond designs to 17 stars, including Halle Berry, Rihanna, 

, Bad Bunny, Jon Batiste and Ayo Edebiri, while Tiffany & Co. bejeweled almost the same number of stars, a list that featured Pharrell and his wife, Helen, as well as Nick Jonas, Hailey Bieber, Doechii and Philadelphia Eagles quarterback Jalen Hurts (attending his first Met Gala and wearing Burberry). It’s therefore no surprise that Cartier and Tiffany & Co. likewise ranked closely in their MIV numbers, earning $11.8 million and $10.8 million, respectively.

Bulgari, Swarovski, Chopard and Jacob & Co. occupy subsequent positions on the list, while Boucheron’s appearance reflects the Paris-based jeweler’s continued expansion in the U.S. But the one brand that stands out is Mumbai-based jeweler Golecha, who created a custom necklace to complete Dosanjh’s look. The decision paid off with $2.8 million in earned engagement.

Top 5 Accessory Brands: Spectator Shoes and Haute Hats

Walking sticks weren’t the only accessories that mattered at an event honoring dandy style. Shoes likewise earned a closer look, with Christian Louboutin garnering the top spot with $1.6 million in MIV, with patent-leather styles including his Aiglon black-and-white spectator loafer worn by Andrew Scott with a Willy Chavarria suit, while his white Aiglissima boot was chosen by Law Roach to pair with his Burberry suit. (The famed “image architect” collaborated with Daniel Lee, the British label’s creative director, to create looks for stars that included Jodie Turner-Smith, Cardi B and Angela Bassett.)

Hats, meanwhile, inspired plenty of conversation, especially those designed by legendary milliner Stephen Jones. Rihanna and Tracee Ellis Ross topped their bespoke designs by Marc Jacobs with custom hats by Jones, while Kim Kardashian finished her leather Chrome Hearts ensemble with a matching fedora also by Jones. The result: $1.4 million in MIV for the celebrated designer. Fellow footwear behemoths Jimmy Choo and Manolo Blahnik finished in third and fifth place, respectively, while the appearance of Nike among the rankings is due to one arrival: George Lucas, who earned multiple Met Gala stories for pairing his navy tuxedo with Nike’s Flex Experience RN7 sneakers in black, which once retailed for $60, though sadly are no longer available.

Who Topped the Met Gala Power Rankings? Spoiler: It Wasn’t Rihanna or Zendaya

In a statement that could reshape global film distribution, U.S. President Donald Trump on Sunday said he would direct a 100% tariff on all movies not produced within the United States. Citing national security concerns and a collapsing domestic film industry, Trump claimed that foreign governments are luring away American filmmakers through aggressive incentives — a practice he argued amounts to "messaging and propaganda."

“The Movie Industry in America is DYING a very fast death,” he posted on Truth Social. “Other Countries are offering all sorts of incentives to draw our filmmakers and studios away... I am authorizing the Department of Commerce, and the United States Trade Representative, to immediately begin the process of instituting a 100% Tariff on any and all Movies coming into our Country that are produced in Foreign Lands.”

The proposal — if enacted — would have vast implications not only for American studios that routinely film overseas for tax rebates or exotic backdrops, but also for foreign film industries that rely on the U.S. box office. Chief among them: India.

Indian cinema, particularly high-budget films in Hindi, Telugu, Tamil, and Kannada, has seen increasing success in the U.S. market. S.S. Rajamouli’s 

, for instance, became a breakout hit in 2022, grossing over $14 million in North America. Franchises like 

 have followed with strong overseas numbers, and theatrical releases in the U.S. are now key components of a film’s international strategy.

However, under Trump’s proposal, most Indian films, which are rarely shot in the U.S., would be subject to the tariff. That means a distributor acquiring a film for $1 million would effectively pay $2 million after taxes, severely impacting profit margins. For many, this would render theatrical release unviable.

Unless there are exemptions or grace periods, this threatens to dry up South Asian theatrical releases almost overnight.

Beyond the rhetoric, implementation remains murky. Films are not physical goods but intangible intellectual property. For tariffs to apply, the U.S. government would need to define what qualifies as a “foreign” film — based on shooting location, financing, ownership, or creative control — and determine how to value such an asset for taxation.

Hollywood itself could face collateral damage. High-profile blockbusters such as 

Mission: Impossible – The Final Reckoning

 (produced in New Zealand) could be penalised. Studios often choose overseas locations not just for rebates but for storytelling purposes and cost-efficiency.

Trump, speaking with C-SPAN, also took aim at California Governor Gavin Newsom, blaming his administration for allowing the entertainment industry to erode. 

The Motion Picture Association has not yet issued a response. Industry leaders in the U.S. and abroad are bracing for clarification on whether existing projects would be grandfathered in and how enforcement might look.

In India, many are hoping the idea won’t progress beyond campaign-season posturing. But if it does, it could jeopardise one of Indian cinema’s fastest-growing markets.

As Trump continues to promote protectionist economic policies, the fate of global film culture may find itself caught in the crossfire.

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