'Tighee' Director Jeejivisha Kale: 'Marathi Cinema Has Always Had Strong Female Characters'
The film follows the fragile but full-bodied bond between three women, and a mystery that threatens to unsteady their sense of self
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The film follows the fragile but full-bodied bond between three women, and a mystery that threatens to unsteady their sense of self
BY Prathyush Parasuraman
Long before stylists became celebrities, these three women turned costume design into an art form — and changed how Bollywood looked forever.
BY Prathyush Parasuraman
In 'The Land and the Shadows,' Perumal Murugan delves into his changed relationship with Tamil cinema and theatre halls since he first fell in love with the screen
BY Prathyush Parasuraman
The team of 'Nukkad Naatak' charted a five-week yatra from Mumbai to Kolkata—through Ahmedabad, Baroda, Bhopal, Indore, Kota, Jaipur, Delhi, Kanpur, Agra, Bodh Gaya, and Dhanbad—meeting people everyday, singing songs from the film and spreading cheer
BY Prathyush Parasuraman
A grimy, formally anarchic Tamil indie that rejects coherence for sensory overload, R Gowtham’s film turns death into spectacle and fragmentation into method
BY Prathyush Parasuraman
How a new generation of storytellers is reimagining Punjab, and tapping into its gloom and rot without distaste or cynicism
BY Prathyush Parasuraman
A film which takes place in 24 hours in a single location—a decrepit theatre, full of kerosene and dust—and told without flashbacks, 'Mayasabha' is driven by the four characters, as opposed to a conventional plot.
BY Prathyush Parasuraman
The Tamil-language film will premiere at the 76th Berlin International Film Festival in the prestigious Forum sidebar
BY Prathyush Parasuraman
How do you turn Ranveer Singh into a spy, age Shah Rukh Khan, or torture Vicky Kaushal on-screen? “Character designer” Preetisheel Singh takes us inside her lab where Bollywood’s most iconic looks are born.
BY Prathyush Parasuraman
In her first interview after 'Parasakthi' hit screens, Sudha Kongara discusses the chaos surrounding the release, while breaking down the choices she made to mount this drama.
BY Prathyush Parasuraman
It is Nivin Pauly’s hulking presence and pointed, restrained performance that hold all the strands of genre together.
BY Prathyush Parasuraman
Industry leaders credit a maturing audience, bolder themes and mythological familiarity for driving India’s animation renaissance in 2025.
BY Prathyush Parasuraman
Premiering at the 30th International Film Festival of Kerala (IFFK) in the Malayalam Cinema Today category, writer-director Jeo Baby, now takes a stab at open marriages with 'Ebb'
BY Prathyush Parasuraman
Preetisheel Singh, the character and prosthetic designer in 'Dhurandhar,' talks about elevating prosthetics to an art form in Ranveer Singh's recent hit
BY Prathyush Parasuraman
Director Dinjith Ayyathan and screenwriter-cinematographer Bahul Ramesh of 'Kishkindha Kaandam' (2024) are back with another rooted atmospheric thriller
BY Prathyush Parasuraman
Kavin's comforting screen presence competes with Andrea Jeremiah's chilly gaze in 'Mask'
BY Prathyush Parasuraman
While Tamil cinema stars tend to chase politics, Ajith Kumar pursues the chequered flag — and a career on his own uncompromising terms.
BY Prathyush Parasuraman
Dharmendra began his career with the 1960 film 'Dil Bhi Tera Hum Bhi Tere.' His next on-screen appearance will be in 'Ikkis' set to release on Christmas
BY Prathyush Parasuraman
The Hollywood Reporter India picks the 25 best Indian films of the 21st century. Mari Selvaraj's debut 'Pariyerum Perumal' softens rage into reflection in this landmark work of modern Tamil cinema.
BY Prathyush Parasuraman
The Hollywood Reporter India picks the 25 best Indian films of the 21st century. S. S. Rajamouli’s daring vision in 'Eega' turned absurd fantasy into a heartfelt epic.
BY Prathyush Parasuraman









