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A film which takes place in 24 hours in a single location—a decrepit theatre, full of kerosene and dust—and told without flashbacks, 'Mayasabha' is driven by the four characters, as opposed to a conventional plot.
The Tamil-language film will premiere at the 76th Berlin International Film Festival in the prestigious Forum sidebar
How do you turn Ranveer Singh into a spy, age Shah Rukh Khan, or torture Vicky Kaushal on-screen? “Character designer” Preetisheel Singh takes us inside her lab where Bollywood’s most iconic looks are born.
In her first interview after 'Parasakthi' hit screens, Sudha Kongara discusses the chaos surrounding the release, while breaking down the choices she made to mount this drama.
It is Nivin Pauly’s hulking presence and pointed, restrained performance that hold all the strands of genre together.
Industry leaders credit a maturing audience, bolder themes and mythological familiarity for driving India’s animation renaissance in 2025.
Premiering at the 30th International Film Festival of Kerala (IFFK) in the Malayalam Cinema Today category, writer-director Jeo Baby, now takes a stab at open marriages with 'Ebb'
Preetisheel Singh, the character and prosthetic designer in 'Dhurandhar,' talks about elevating prosthetics to an art form in Ranveer Singh's recent hit
Director Dinjith Ayyathan and screenwriter-cinematographer Bahul Ramesh of 'Kishkindha Kaandam' (2024) are back with another rooted atmospheric thriller
Kavin's comforting screen presence competes with Andrea Jeremiah's chilly gaze in 'Mask'
While Tamil cinema stars tend to chase politics, Ajith Kumar pursues the chequered flag — and a career on his own uncompromising terms.
Dharmendra began his career with the 1960 film 'Dil Bhi Tera Hum Bhi Tere.' His next on-screen appearance will be in 'Ikkis' set to release on Christmas
The Hollywood Reporter India picks the 25 best Indian films of the 21st century. Mari Selvaraj's debut 'Pariyerum Perumal' softens rage into reflection in this landmark work of modern Tamil cinema.
The Hollywood Reporter India picks the 25 best Indian films of the 21st century. S. S. Rajamouli’s daring vision in 'Eega' turned absurd fantasy into a heartfelt epic.
In its fourth season, 'Maharani' wants to dwell in the realm of rhetoric and not action.
The Sudheer Babu and Sonakshi Sinha film is so convinced about its withering logic, it keeps unraveling, like a hallucinating AI model
Kiran Rao is workshopping the idea where independent filmmakers have a platform to showcase their film, own their IP, and get a share of the profit, if any is made.
How can a show be so spectacularly oblivious, hoping its oblivion is contagious, and ultimately forgiven?
Watching the assembly line of episodes of 'Two Much', among other talk shows, the desire to know more about the lives of these celebrities has dulled, if not been decimated.
This year’s festival will open with 'Homebound' directed by Neeraj Ghaywan—India’s official submission for the Academy Awards.
