Filmmaker Sudha Kongara has revealed that she had conceived an idea similar to what was later seen in 

In a recent interview with a YouTube channel, Kongara said that when she watched 

 in theatres, she was surprised to see a narrative device she had been considering herself. In 

, characters from different states — including 

Sudha Kongara Reveals She Had a 'Jailer'-Like Idea for 'Parasakthi' While Writing the Film

A heady brew of violence, romance and longing powers the trailer of Vishal Bhardwaj’s latest, 

. Starring Shahid Kapoor as a razor-wielding Mumbai gangster who falls headlong in love, the film marks the fourth collaboration between Bhardwaj and Kapoor, after their work on 

Loosely inspired by real people and events, the film follows the brash, charismatic Ustara (Kapoor) and his love for a sad, mysterious woman played by 

. In the trailer, Kapoor is approached by Dimri to take on a 

 (contract) to kill a big-shot gangster. This covenant hinged on love sends him down a dark, bloody path from the streets and local trains of Mumbai to a vast colosseum, where he faces off against a bare-chested Avinash Tiwary.

Mounted on a massive scale, O’Romeo features a large ensemble. Kapoor and Dimri are joined by Tiwary, Nana Patekar, Farida Jalal, Tamannaah Bhatia and Disha Patani, while Vikrant Massey will be seen in a special appearance. The film boasts an unapologetically massy treatment and florid dialogue-

Ustara se panga nahi lene ka… shareer se aatma katke le jaata hai

 (Don't mess with Ustara. He'll severe your soul from your body)" Kapoor says in the trailer.

 is said to present a highly fictionalised account of the story of Sapna Didi, as chronicled in S. Hussain Zaidi and Jane Borges' non-fiction book, 

. According to underworld legend, Sapna Didi, born Ashraf Khan, driven by vengeance after her husband’s death, turned to the gangster Hussain Ustara for support and training. Her crusade threatened the stranglehold of Dawood Ibrahim's D-company on the Mumbai underworld.

 dropped, a controversy erupted after Ustara’s daughter sent a legal notice to the makers, objecting to what she claimed was a misrepresentation of her father’s life and his relationship with Sapna.

Produced by Sajid Nadiadwala under the Nadiadwala Grandson Entertainment banner, 

is slated to release on February 13, 2026, on the eve of Valentine's Day.

'O'Romeo' Trailer: Shahid Kapoor Will Kill for Triptii Dimri in Vishal Bhardwaj's Edgy Potboiler

Veteran actors Jayaram and Urvashi are reuniting for a Tamil film to be helmed by director Pandiraaj. The project, which does not have an official title yet, was confirmed by Jayaram during a recent interview on a podcast. In a conversation along with his son Kalidas Jayaram, the veteran actor stated, “In Pandiraaj sir’s direction, Urvashi and I are doing a Tamil film. We are reuniting after 20 years. The shooting is going on and we are yet to finalise on the title. Urvashi and I are playing the hero and heroine.”   

According to Jayaram, production on the film has already begun, and both he and Urvashi have been required to do many takes for each scene because of their strong comedic instincts. He said that the frequent laughter from either actor on set has led to “about 10-15 takes for every scene. Either I laugh or Urvashi does.”   

The pairing of Jayaram and Urvashi is regarded as iconic in both Tamil and Malayalam cinema. The duo, loved for their comic timing, have delivered memorable performances together in films such as 

. They last featured together in the Tamil anthology film 

Director Pandiraaj is known for work in the family comedy genre, with his most recent directorial being 

, a romantic drama starring Vijay Sethupathi and Nithya Menen. In its review of the film, 

 called it a familiar but fun family drama. "There are several moments of great fun and inventiveness that keep the film watchable, even if it remains strictly familiar. But after a wave of middle-class dramas all set within the city, is there any harm in returning to good old village life for a film we’ve all seen before, but might want to relish again?" the review said. 

Iconic Pair Jayaram and Urvashi to Reunite In Director Pandiraaj's Next

The joke in the industry is that urban social media users excel at generating memes, hot takes, and outrage—but are far less consistent at buying movie tickets. 

the latest war epic, has spent the last few weeks being dissected online, with its teaser VFX and then actor Varun Dhawan becoming easy meme material for Instagram and Twitter timelines.

On the ground, though, the conversation sounds very different. Exhibitors and trade insiders say audiences aren’t debating viral jokes on Dhawan's lopsided smile in the trailer, but enquiring about tickets of 

, which, as expected, is looking for a huge start at the box-office.

"The film is seeing solid traction where it matters, the tier two and three centres, powered by brand recall, the music, and the enduring pull of Sunny Deol, whose mass connect has only strengthened since 

. The online chatter was mere noise, existing in an echo chamber, and possibly being done by parties who'd relish pulling down others," notes a marketing executive.

Dhawan, on his part, also addressed the trolling at a recent event and said, "I believe that you shut down the noise and just let your work do the talking. All these things keep happening. It doesn't really matter. I don't work for this. What I work for, you will find out this Friday."

From a box-office standpoint, expectations remain firmly bullish. Trade estimates peg 

for an opening day in the ₹30 to 35 crore range, with a strong word-of-mouth scenario potentially pushing the extended opening weekend—powered by Republic Day holiday on Monday—towards ₹150 crore. If the film connects the way exhibitors hope it to, a lifetime north of ₹500 crore is on the cards.

is a legacy brand,” says exhibitor Vishek Chauhan, whose Bihar-based Roopbani Cinemas is gearing up for a packed opening day. "It’s iconic and the film was a rage when it was released. The power of that brand is massive. None of this online chatter can break that down.”

Set during the India–Pakistan war of 1971, 

was one of the biggest blockbusters of Indian cinema, earning over ₹39 crore back in 1997 (the inflation-adjusted figures would be over ₹360 crore), according to 

directed by JP Dutta, who is now co-producing the sequel, was successful because it struck

 a perfect emotional chord. It was a war story mounted at a scale that felt authentic for its time, powered by chartbuster music and anchored by Sunny Deol at his peak. 

"That emotional memory has carried across decades, especially in the tier 2 and tier 3 markets, where the film remains deeply embedded in popular culture. All the team had to do was bring in some of those elements back, chiefly Sunny and some of the iconic songs. This is basically the 

is directed by Anurag Singh (who also directed Akshay Kumar's 

composer Anu Malik returning to compose songs for the sequel. 

, Sunny Deol is the brand,” Chauhan adds. “He is the OG. As long as the music lands, the dialogues (penned by Sumit Arora) pack a punch and Sunny is front and centre, that’s all the audience needs. Varun and the others are supporting him. Sunny is driving this film.”

Trade observers also draw a direct parallel with Deol’s 

, which was similarly written off in some urban circles for looking dated or regressive, only to go on to script historic box-office numbers with over ₹500 crore India nett.

"The same pattern played out with films like 

, where people said, 'Oh, what has happened to Shah Rukh? This looks like a mindless masala film.' But everyone enjoyed the film. So this Instagram and Twitter trolling makes no difference,” Chauhan says bluntly. “Online trolling has zero impact in the real world. Often it’s sponsored, and today we have as many trollers as we have critics. Everyone with a Twitter account thinks they’re a reviewer. There’s a credibility crisis there.”

’s trailer and music have already done their job where it matters most. The target audience has been reached, particularly in the North and heartland markets where 

's legacy runs deep. In these regions, viewers are far more invested in the emotion, the patriotism and the familiarity of the brand than in what’s trending online.

There’s also a quiet acknowledgement within the trade that some of the social media noise could simply be manufactured outrage. Rival fandoms, algorithm-driven pile-ons and meme culture often amplify narratives that don’t translate beyond the phone screen.

“It’s about your local environment,” Chauhan explains. “

doesn’t need this negativity. The trailer worked, the buzz on the ground is huge, and the trolling has had zero impact.”

Chauhan sums it up with a simple analogy. “You don’t need to convince people to buy Colgate. You just have to tell them it’s available. 

is the same; the brand is huge and bulletproof.”

'Border 2' Box-Office: Why The Varun Dhawan Memes and Trolling Could Not Dent The Sunny Deol Juggernaut

Actor Tovino Thomas’ first mass outing of the year, 

, will be released this summer on April 9. It is being directed by Dijo Jose Antony, director of hits such as 

 is being written by S Suresh Babu, writer of several hits such as 

. It is also Dijo Jose Antony’s first film, which was not written by his regular collaborator Sharis Muhammad. He had written last year’s hit comedy, 

’s release is that it will hit screens just a week after two high-profile sequels, Mohanlal’s 

. These three will be the films lined up for the Vishu holiday season of 2026.

The title announcement of the film features a motion poster that ends with the reveal of Tovino’s look in the film, as the man stands right in front of a church. The full title of 

 includes the phrase, The Origin, suggesting that the film could lead to a second part later on. Dijo’s 

 too, was planned like a two-parter. The film's score is composed by Jakes Bejoy. Other technicians of the film include DOP Tijo Tomy, with Sreejith Sarang as the editor. It is produced by Noufal and Brijesh, apart from CCC Brothers. 

 releasing early this year with Basil Joseph. He was last seen in a cameo in 

.  It was also announced that Tovino Thomas and Nazriya Nazim would share the screen in filmmaker Muhsin Parari’s next project, adding to the growing buzz around the upcoming film.  Parari, known for writing 

, hinted at the upcoming project by sharing a casting call on Instagram, inviting aspiring actors to audition. The film, which is yet to be officially titled, is being written by Parari in collaboration with filmmaker Zakariya, who previously directed 

Tovino Thomas-Starrer 'Pallichattambi' To Be Released On April 9

, senior advocate Satish Parasaran said that it was commonplace for producers to announce the release date of their movie well in advance, even before it received a certificate from CBFC. According to a report in 

, he was defending the court’s question on why they had promoted the film’s release date when the film had not yet been issued a censorship certificate. 

The lawyer further added that the film had received the same from as many as 22 countries and was due to be released on January 9. He also stated that the practice was common, even in Bollywood, as he went on to cite the example of 

, which is expected to be released on March 19. The first film, which was released in December, was given an ‘A’ or adult rating. 

The lawyer had also informed that the film would be sold to Prime Video as its satellite partner and that the OTT platform had threatened to sue the producers if the film’s release was further delayed. 

Earlier, according to a recent report in 

, the Supreme Court, on January 15, refused to entertain 

's petition against an order of stay passed by a Division Bench of the Madras High Court over the certification of the film. The Bench reportedly noted that the producer had not even challenged the CBFC Chairman’s January 6 order to send the film before a revising committee. The Court had then asked KVN Productions' advocate to raise his arguments before the Madras High Court Division Bench.

 had recently approached the Supreme Court in their ongoing legal battle against the CBFC. The producers of the Tamil-language film — positioned as Vijay's last screen outing before venturing into full-time politics — moved the Supreme Court challenging an interim order of the Madras High Court. The interim order, passed on January 9, had stayed an earlier direction to the CBFC to issue a certificate to the film immediately.

Release Date Of 'Dhurandhar 2' Announced Before Censor Certificate Was Issued: 'Jana Nayagan' Lawyer  

Balgovind Raj Tadla, proprietor of the popular Sudarshan 35mm theatre in Hyderabad, has the perfect analogy to describe the Sankranti film fervour the 

 industry is witnessing this month. The audience, who were seemingly on a diet all these months, are happily gobbling up films today, he says.

The Sankranti releases, which began with 

on January 9, were followed by a streak of hits, led at the top by Chiranjeevi and 

, which has gone on to do a handsome ₹165 crores India nett (as quoted by Sacnilk) and close to ₹300 crores worldwide, according to a press note.

Tadla says, “The response has been very encouraging, and the complete audience came back.” In keeping with the Sankranti tradition in Telugu cinema, comedy entertainers awaited audiences in the theatres this year. If the Ravipudi film saw Chiranjeevi and Nayanthara fight for a marriage, 

 saw Naveen Polishetty and Meenakshi Chaudhary scramble to find the best suitor 

 but both films provided ample laughs. The latter has raked in over ₹36 crores domestically and grossed ₹100 crores worldwide, according to its makers. The other Sankranti releases also included Ravi Teja’s 

. Tadla, whose theatres in Hyderabad screened 

is witnessing packed houses. “The films ran to almost a 90 per cent house.”

The Sankranti winners have all leaned into comedy, which Anantha Hari Babu, producer, distributor and EC member at the Telangana State Film Chamber of Commerce, discerns as a factor. “The box-office numbers have been excellent in the Andhra side. Sankranti movies are known to be comedies, and that's bringing in people,” he says, adding that 

 could’ve opted for a solo release. Prabhas’s horror comedy opened to plush numbers but struggled to hold momentum, making ₹140 Cr domestically. 

 isn't a Sankranti release in my point of view, as it's a horror. If it had been a solo non-Sankranti release, it could've done better. This is also why 

 showed fans glimpses of Chiranjeevi’s impeccable humour, something audiences have enjoyed ever since his 

  (1986 Telugu film) days, Hari Babu says. Tadla looks at these influxes as a shot in the arm, but hopes the industry sustains this momentum. 

“The difference between ten years ago and now is that the lifespan of a film is reducing today. The reason isn't that the audience doesn't like films, but because they are watching films anywhere they can get them. Now films are being screened in many theatres, and that is under correction. Movies are vanishing in three weeks, and you can see that,” he says, hopeful that tentpole films such as 

‘Mana Shankara Vara Prasad Garu’ to ‘Anaganaga Oka Raju’: Why Telugu Theatres Are Rejoicing This Sankranti 2026

has announced a sequel to his 2017 breakout hit 

. The actor, composer, rapper and director revealed the news mid-performance during a recent concert in Malaysia, where he told fans that 

According to reports, popular YouTuber Harshath Khan is expected to be part of the sequel. Harshath Khan drew wider attention last year with his supporting role in 

. Casting details, however, are yet to be formally announced.

debut as a lead actor and went on to become a surprise box-office success. Co-written by 

, the film followed the journey of a music-loving youngster who enrols in an engineering college in southern Tamil Nadu, blending campus comedy with romance and music. Its soundtrack continues to enjoy a strong fan following.

also confirmed that the sequel is currently in the production phase, with shooting expected to begin later this year. Reports suggest that 

 will retain the themes of friendship and love that resonated with audiences in the original film.

 (both 2024), which received mixed critical and box-office responses. His 2023 superhero film 

, however, emerged as a commercial success.

, directed by his frequent collaborator Sundar C. The film’s screenplay is co-written by Venkat Raghavan and Sundar C, with cinematography by Gopi Amarnath, editing by Fenny Oliver and production design by Gururaj.

Backed by Ishari Ganesh’s Vels Film International and co-produced by Avni Cinemax, Rowdy Pictures and Ivy Entertainment, 

 has completed shooting and is currently in post-production. Apart from Nayanthara, who led the first film, Sneha and Khushbu Sundar are also expected to feature in the sequel. Release details are yet to be announced.

HipHop Tamizha Adhi Announces 'Meesaya Murukku 2' During Malaysia Concert

one of the most steadfast pairings of Hindi cinema, are set to reunite onscreen in 

's upcoming feature. The film, according to reports, goes on floors today (January 20) in Mumbai. In addition to Kumar and Balan, Raashii Khanna and Vijay Raaz are also part of the cast. 

Akshay Kumar and Vidya Balan have starred together in several memorable films, including 

(2007). They were also seen together in the space-faring drama 

Speaking to online entertainment portal Bollywood Hungama, Bazmee confirmed key details about his upcoming him. Kumar and Bazmee last worked together in 

 (2008), though their most influential collaboration remains 

On reuniting with Akshay Kumar, the filmmaker was quoted as saying, "We have a lot of love for each other. We didn’t work for so many years. However, we continued bumping into each other and our bond remained intact. When I got the story of this film and realized it would be apt for Akshay ji, I approached him. He loved the story. He’s very excited about it. We begin shooting for the film on January 20.”

Confirmed the rest of the cast, Bazmee added,  “The film stars Akshay ji, Vidya ji, Raashii Khanna, Vijay Raaz, Zakir Hussain, Sayaji Shinde and others. Expect a lot of comedy, romance, action, songs, etc.”

Bazmee also addressed rumours that the film is a remake of 

 (2025). "...The story of our film is close to the premise of (

). Also, Dil Raju bhai is the producer of both the films. All I can say is that hamari film acchi hai (our film is good). Mehnat poori ki hai humne (we have worked hard).”

(2025). The actor has a string of comedies in the offing, including 

Akshay Kumar, Vidya Balan To Reunite in Anees Bazmee's Next: Reports

In an interview with the Telugu YouTube channel 

 spoke about how the script of her Salman Khan-starrer 

 evolved over the course of production. Speaking in Telugu, Mandanna said that the version of the film she was initially narrated was “indeed quite a different script” from what eventually made it to the screen.

She added that such changes are commonplace in filmmaking. “When you listen to a story, it is one version of it,” she said. “But over the making of a film, things change — according to performances, edits, and even the time of release. That’s very common. That happened with 

Directed by A.R. Murugadoss and produced by Sajid Nadiadwala, 

 starred Salman Khan, Rashmika Mandanna and Sathyaraj. The film released late last year to mixed-to-negative reviews and went on to underperform at the box office.

The film’s troubled reception was followed by controversy after Murugadoss spoke publicly about the challenges of accommodating Khan’s shooting schedule. In an interview with the Tamil YouTube channel 

, given ahead of the release of his other 2025 film 

, the filmmaker said, “It’s not easy to shoot with a star. Even day scenes, we had to shoot at night because he would come to the sets only by 8 pm.”

Murugadoss added that the altered schedule often took a toll on the rest of the cast and crew. “We are used to shooting from early mornings, but that’s not how things work there,” he said. Recalling a specific instance, the director noted, “If there were four children in a scene, we would be shooting with them at 2 am — even if the scene was meant to show them returning from school. By then, they were exhausted and would often fall asleep.”

Despite being one of the most anticipated Hindi releases of last year, 

 failed to find favour with critics or audiences.

Rashmika Mandanna Says That The Original Script of Salman Khan’s 'Sikandar' Was “Quite Different”

 has seen its re-release postponed yet again, marking the second delay in under a month.

The Atlee-directed film was originally being lined up for a Pongal-season re-release after 

 failed to make its planned theatrical debut on January 9. With fans expecting what is widely believed to be Vijay’s final on-screen appearance before his full-time entry into politics, producer Kalaipuli S. Thanu had planned 

’s return to theatres as a stopgap festive offering.

The re-release was first expected on January 15, but was deferred after producers of other Pongal releases requested Thanu to move the date to avoid a crowded window. A revised release date of January 23 was subsequently announced.

However, the plan has now been pushed once more following an exchange on social media platform X. Director Mohan G, who is backing 

, publicly appealed to Thanu to postpone 

’s release so that his film could secure better screen availability. In his post, Mohan G cited Thanu’s long-standing reputation for supporting smaller films and first-time filmmakers, urging him to extend the same consideration.

A filmmaker behind another film also slated for a January 23 release echoed the request on X.

Responding to Mohan G, Thanu reiterated his production house’s commitment to supporting smaller films and newcomers, and confirmed that 

’s re-release would be moved to a later date. Mohan G subsequently thanked Thanu for the decision and also expressed gratitude to Vijay’s fans for their support.

 in Hindi) remains one of the most anticipated Tamil films of the year, as it is expected to mark Vijay’s final screen appearance before his political plunge.

Vijay’s 'Theri' Re-release Delayed Again After Kalaipuli S Thanu Agrees to Make Way for Smaller Films

There is a major release date reshuffle happening in the Hindi film industry. According to reports, filmmaker Sanjay Leela Bhansali's upcoming magnum opus 

won't release in 2026, with the team eyeing a new 2027 release date. The film is headlined by Ranbir Kapoor, Alia Bhatt and Vicky Kaushal.

While the film has been in production since last year, the makers had initially announced a March 2026 release date, which got pushed as the film was still being shot.

stated that the makers of the film  are looking at a January (Republic Day) or February (Valentine's Day) 2027 release.

Since a significant portion of the film is still pending, the makers are now looking to wrap up the film by June, which will be followed by an extensive post-production phase. According to the report, the scale of 

—featuring VFX-heavy aerial action sequences—will take time and hence the team won't get a suitable release window this year.

What also adds to the makers looking for a 2027 outing is the fact that Ranbir Kapoor will have the release of 

in November. As the mega-budget film is on track for a grand Diwali release, 

team didn't want the two films to release so close to each other. 

"The makers are keen to space out the two tentpole releases, keeping a healthy gap between the two and understandably so. This will ensure that each film gets adequate breathing space and focused marketing," the report claimed.

marks Vicky Kaushal’s first collaboration with Bhansali, while both Kapoor and Bhatt have previously worked with the celebrated auteur—Kapoor made his debut in Bhansali’s 

(2007), and Bhatt won acclaim for her titular role in 

 (2022). A new release date will only be locked once the film completes production.

Sanjay Leela Bhansali's 'Love And War' Pushed to 2027; Ranbir Kapoor, Alia Bhatt and Vicky Kaushal Starrer To Wrap in June: Reports

) has been officially selected in the Forum sidebar of the 76th Berlin International Film Festival. The film is directed by debutant R. Gowtham and produced by Tamilarasan Kalidass. Actor Karuththadaiyaan, who starred in the acclaimed drama 

The selection is being described as historic, as it is the first time a debut feature by a director from Tamil Nadu has been chosen for the Berlinale Forum. It is the fourth Tamil feature film ever to be screened in the prestigious section, following Mani Ratnam’s 

In their citation, the Berlinale selection committee praised the film’s emotional and thematic rigour, stating:

“A man dies young. Funeral rites – yes; mourning – not so much. A death that stirs and shakes things up. A film that shows the violence of family relationships with uncanny subtlety and verve, the pendulum of void and solace. What a debut feature!”

Delighted with the selection, director R. Gowtham said in a statement: “It is a moment of immense pride that a film conceptualised and shot within a very short span and on a limited budget, starting in 2025, has been selected for the Berlin International Film Festival. For a debut director like myself, to have my very first film selected is a true reflection of the vibrant artistic ecosystem currently thriving in Tamil Nadu. Following in the footsteps of 

, the inclusion of my film suggests that the journey of Tamil cinema from South Asia to the global stage is becoming a consistent phenomenon."

The 76th Berlin International Film Festival will be held from February 12 to February 22, 2026. 

Berlinale 2026: Tamil Film ‘Members Of The Problematic Family’ Selected For Forum Section

Mumbai’s Jio World Garden was filled to capacity on Saturday, 17 January, for 

2026, an annual concert held on the barsi of the late Padma Vibhushan Ustad Ghulam Mustafa Khan. What unfolded over the evening was an act of remembrance, as four of his most celebrated students, A.R. Rahman, Hariharan, Sonu Nigam and Shaan, came together on stage for the first time.

Presented by Namrata Gupta Khan and Rabbani Mustafa Khan of NR Talent and Event Management, Ustad Ghulam Mustafa Khan’s daughter-in-law and son, 

marked its fourth edition this year. Conceived as a meeting point between classical discipline, Sufi devotion and popular song, the concert returned to the central idea that shaped Khan Sahab’s life and teaching: music as offering.

For Hariharan, the date itself carries weight. “January 17 is my Ustad Ghulam Mustafa Khan Sahab’s barsi… the day he left us… and it’s a sad day for me. Memories with him go through me on that day,” he said speaking to 

“That’s the day we pay our respects to him through a musical offering, and we always feel his presence at ‘Haazri’.” Calling it a continuation of the guru-shishya parampara, Hariharan reflected on the depth of that bond. “The Guru not only teaches you music but also many things about life… and the philosophy of life itself,” he said, recalling advice that reshaped his outlook. “We are all really lucky to be musicians because we get to practise music. That it’s a very special way of life.”

Rahman opened the evening with a Sufi set that set the tone for what followed, turning the vast outdoor venue into something closer to a shared prayer. He was later joined by members of the Mustafa family, including Murtuza, Qadir and Rabbani Mustafa Khan, and Ustad ji’s grandsons Faiz Mustafa Khan and Zain Mustafa, reinforcing the sense of lineage that ran through the night.

 for me is and will always remain an intense emotion… a tribute, a day dedicated to my Guruji Ustad Ghulam Mustafa Khan,” he told 

. “For the past 3 years I missed being a part of it. But wherever I was, I would perform a bandish or a ghazal dedicated to Ustaad ji.” 

Sharing the stage again with his fellow disciples, he added, “This year I’m so glad and honoured to share stage with 3 of the greatest music icons and fellow Guru bhais.”

Shaan also spoke to the continuing relevance of live performance in an era dominated by AI and autotune technology. “Live performances are today the true test of vocal prowess,” he said. “On a day when the voice is not 100% there, it becomes very difficult for a singer to bring in his or her A game.” What carries singers through, he noted, is something no software can replicate. “The adrenaline and positive energies from the audience always work like magic.”

The final performances gave way to an onstage felicitation by Khan Sahab’s family, and Haazri closed as it began, with memory and reverence.

Haazri 2026: Four Masters Return as Students to Honour Ustad Ghulam Mustafa Khan

with the makers likely to release a special teaser, attached with the prints of 

According to reports, filmmaker Aditya Dhar has "re-edited" the end-credit sequence of 

which opens in cinemas on January 23. According to sources, the idea is to stamp the release date of 

, which is March 19, the same date when Yash's much-awaited 

, the team at Jio Studios wants to capitalise on the wave of patriotic dramas, with 

"The new cut of teaser from the end-credits of part one will be out digitally too, after a premiere on the big screen. For the beginners, it is a big screen exclusive," the publication reported.

While the new teaser will be out by the end of the week, the trailer of 

Subscribe

Subscribe

Subscribe

Sudha Kongara Reveals She Had a 'Jailer'-Like Idea for 'Parasakthi' While Writing the Film

You may also like

You may also like

READ MORE ABOUT:

Latest News