Veteran Hindi film actor Anupam Kher has joined the world of Prabhas's upcoming Telugu film 

. Mythri Movie Makers, the film's production house, made this announcement to mark Kher's birthday on March 7. 

 Ji a very Happy Birthday It is an absolute honour to have you as part of the 

 battalion ‍ Wishing you a happy and a healthy year ahead," their post on X read. 

, will release in two parts, with the second instalment planned as a prequel. The film is directed by filmmaker Hanu Raghavapudi, best known for 

. The makers, last year, unveiled the film’s title poster, showcasing Prabhas as an Azad Hind Force soldier. Director Hanu Raghavapudi has confirmed that the film - based on real historical events - will be released in two parts.

"We're portraying one world of Prabhas in this movie, and the second instalment will explore another dimension," Raghavapudi said, speaking about the scale and scope of 

. "There's abundant material from our colonial past — stories that ended tragically but could've been fairy tales in another reality. I've also woven in a few real-life experiences that inspired me personally."

'Fauzi': Anupam Kher Joins The Prabhas Film

Trisha Krishan has chosen to respond to a statement made by actor Parthiban at a public event recently by posting her disapproval at his “crude words.” She took to X to write, “I was informed by the organisers of a recent event that my name and picture were included at the last minute at the request of an individual conveyed through his assistant. A microphone doesn’t make a comment intelligent or humorous. It just makes stupidity louder. Crude words without knowledge say more about the speaker than the person they’re aimed at.” The post has so far received thousands of likes and shares voicing support for the actress.

At an awards event in Chennai, the organisers asked Parthiban about Kundavai, the character Trisha played in Mani Ratnam’s 

. Responding to this, Parthiban said, “This Kundavai should be kept at home for a few days. Don’t let her come out.” Shortly after, clips from the event went viral. He posted on X in response to this issue and wrote, “What happened has gone all wrong. There's no way but to regret!” (SIC)

Trisha has been in the news ever since she made a public appearance with Vijay at a wedding recently. Pictures of the Tamil superstar-turned-politician Vijay attending a wedding reception with Trisha broke the internet. The duo were photographed at producer Kalpathi S Suresh and Meenakshi Suresh's son's wedding reception in Chennai on Thursday, March 6. This is their first public appearance together amid Vijay's divorce proceedings. A few days ago, Vijay’s wife initiated divorce proceedings against him, accusing him of long-term infidelity.  Sangeetha Sornalingam, Vijay’s wife of 27 years, filed a petition seeking divorce on grounds of alleged infidelity, claiming that the actor was involved in an extramarital relationship with a female actor. She has reportedly been living separately from Vijay for the past two years.

Trisha Responds To Actor Parthiban’s Remark; Parthiban Expresses Regret

Content creator and actor Dolly Singh has joined the cast of the independent feature 

, alongside actors Sanjay Mishra and Rajesh Tailang. The film will be directed by 

 (2021) filmmaker Smita Singh and written by Anand Raaj. Production is scheduled to begin in mid-March.

The project is being developed as a community-based film, with its makers building an audience around the story before its eventual release. According to the team, the film is rooted in the everyday rhythms of the Indian hinterland and seeks to involve local communities in the filmmaking process.

Speaking about what drew her to the project, Singh said the script’s tone was a key factor in her decision to come on board. “It was primarily the story. It’s fresh yet deeply nostalgic, reminding me of the kind of cinema I truly miss,” she said.

Singh also spoke about the opportunity to work with Mishra, whom she described as one of the actors she has long admired. “I’ve been a huge admirer of him—not just as a phenomenal actor, but as a person,” she said. “There’s something incredibly special about him; the way he speaks, the way he tells stories, and the simplicity he carries remind me of my childhood and the kind of people I grew up around.” She added that sharing the screen with him felt “almost magical”.

“In many ways, he’s a towering figure for me. The thought of acting alongside him is surreal. Of course, I hope I do justice to our scenes together, but above all, I’m deeply excited and grateful. It truly feels like a dream come true, and I can’t believe it’s happening so soon,” Singh said.

The actor added that the film’s approach to storytelling also appealed to her. “I was drawn to the team’s vision of making it a genuine people’s film, rooted in the Indian hinterland and closely connected to the lives of ordinary people,” she said.

According to Singh, the filmmakers have spent time on location to understand the culture and community where the story is set, working closely with locals during the development process while operating within the constraints of an independent film budget.

Exclusive | Dolly Singh on Working with Sanjay Mishra in Smita Singh’s 'Arjun Bewakoof': ‘He’s a towering figure for me’

Actor Randeep Hooda and his wife, actor-entrepreneur Lin Laishram, marked their second wedding anniversary with a heartwarming surprise and announced that they were expecting their first child. In a joint post on Instagram, they wrote: "Two years of love, adventure, and now… a little wild one on the way (Tiger Face, red heart and infinity emojis)." They tied the knot in a traditional Meitei wedding ceremony in Imphal on November 29, 2023.  

With the baby due this month, Hooda and Laishram are preparing for the birth of their child. They recently posed for their maternity shoot and shared exclusive images with 

Talking to THR, Lin says, “Looking at myself in the mirror and knowing I’m carrying a life inside me feels like witnessing a miracle. Of all the roles I’ve embraced in life, becoming a mother is the one that has taught me the true meaning of strength, because creating life is the greatest power a woman holds.”  

Having earlier experienced a miscarriage, the couple is over the moon and awaiting the due date. She adds, "I’ve pushed my body as a sportsperson, shaped it as a model, expressed through it as an actor, and built dreams as an entrepreneur. But pregnancy has shown me a completely different kind of strength. This journey has given me a deep respect for every mother and for every woman trying to become one. The female body is extraordinary in the way it creates, grows, and nurtures life.” 

(2025) co-starring Sunny Deol. Reportedly, he is currently working on a Hollywood action film 

alongside John Cena, and a period drama, 

Moreover, he has also acquired the rights to the book 

, which is inspired by the real-life story of Major General Rajpal Punia, for a movie adaptation. Hooda is set to headline the military drama based on one of the Indian Army’s most daring peacekeeping missions abroad. Titled 

, the film tells the story of 233 soldiers who were held hostage in Sierra Leone (West Africa) by rebel forces and the high-risk rescue mission that was undertaken.

Exclusive | A Glimpse Into Randeep Hooda and Lin Laishram’s Maternity Shoot 

, the sequel to Ranveer Singh’s record-breaking action film 

, was released on Saturday at 11:01am, following a social media announcement by the makers a few hours earlier.

In a tweet teasing the launch, the team described the upcoming preview as a “4 Minutes Of Pure Adrenaline Rush Trailer,” confirming that the clip would drop shortly after the announcement. Singh had revealed the precise release time a day earlier on his official social media handle.

Clocking in at three minutes and twenty-five seconds, the trailer leans heavily into the franchise’s established tone — featuring heightened action, stylised violence and a steady stream of confrontational dialogue. While the first film’s trailer focused on introducing its ensemble of central characters, the sequel shifts its attention to a new figure: Jaskirat Singh Rangi.

According to the film’s official synopsis, the story traces the chain of events that compel Rangi to assume the identity of Hamza Ali Mazari. The narrative then follows his rise as he operates deep inside Pakistan, expanding the geopolitical stakes of the franchise.

Directed, written and produced by Aditya Dhar, 

 is backed by Jio Studios and produced by Jyoti Deshpande and Lokesh Dhar under B62 Studios. The trailer’s score has been composed and produced by Shashwat Sachdev.

The sequel arrives after the commercial success of 

, which released on 5 December 2025 and went on to gross more than ₹1,354 crore worldwide within 75 days, including over ₹1,000 crore in India.

Unlike the first instalment, which was released only in Hindi, 

 will open simultaneously across multiple languages — Hindi, Telugu, Tamil, Kannada and Malayalam — significantly expanding its theatrical reach.

The film is scheduled for a worldwide release on 19 March 2026, coinciding with the festivals of Gudi Padwa, Ugadi and Eid. Paid preview screenings will be held a day earlier, on 18 March.

The sequel is also expected to benefit from a relatively clear release window. Actor Yash’s action thriller 

 recently shifted its release to 4 June 2026, while the Hollywood science-fiction adaptation 

, starring Ryan Gosling, is reported to have moved its India release from 20 March to 27 March.

 largely unopposed in its opening week at the box office.

'Dhurandhar: The Revenge' Trailer Drops: Ranveer Singh Returns in Aditya Dhar’s Sequel Ahead of March 19 Release

 entered the world of films with a clear-eyed understanding of the industry. Having grown up around cinema, she has seen its volatility firsthand. “We all saw the ups and downs of our parents [in the industry]," she tells 

"We’ve all seen how it can destroy a person when things aren’t going right, but we still choose to be here because of our love for cinema," she shares. "It keeps me sane.”

That love informs the way she approaches her work, even today. For Priyadarshan, filmmaking is a collaborative exercise, and her time working behind the camera has shaped how she approaches her work on sets. “I think it gives me a different kind of empathy for everyone on-set," she shares. 

"When delays happen, I'm very aware that no one has planned for this, and I'm happy to wait in my van for hours on-set if something goes wrong.” In fact, she reveals, her experience working in production has also impacted the way she performs in front of the camera. "

I’m a very private person, I have massive stage fright," she confesses.

However, knowing what she knows about the chaos of a film shoot, she no longer feels conscious about all the eyes on her during a take. 

“Everyone on set is focused on their work, and that helped me loosen up on set," she says. "I just surrender to my director, and the process is different for each film as a result.”

For her, it is not stardom that is the end goal—it's agency. "It’s not the popularity that excites me, it’s the freedom," she says. That freedom, as she sees it, is directly tied to power—the power of creative autonomy. 

“I feel like, at least right now, in our country, producers are more willing to back stars than they are willing to back stories," she says. "I think that’s mainly the reason I get the freedom to choose the stories that I want, to give them the kind of backing I’d be able to give them, if I were a star."

Impact, for her, is tied to choice—the ability to support stories she believes in and help move them forward. But she is equally aware that the final word belongs elsewhere. The overwhelming response to 

) reinforced that for her. “The audience, they surprise you at every step.”

Exclusive | Kalyani Priyadarshan on Stardom and Freedom to Choose Her Films: ‘Producers Back Stars More Than Stories in India’

The fate of a film that has been years in the making can be decided in a matter of hours — by Friday afternoon, the verdicts are already out. Months of production, promotion and anticipation boil down to opening numbers and early reviews. In an industry where box office numbers can make or break careers overnight, 

“So much of our validation is just based on a Friday,” she says in a conversation with 

. “It’s for the world to see, and everything is so public. You can’t let it consume you.” The pressure of being in the public eye has been exacerbated by the Internet, she observes, where anyone and everyone is welcome to share their opinion.

The scrutiny, the actor points out, no longer comes from a handful of critics or experts: “Everyone has a take now," she says.  Social media has dismantled the hierarchy of criticism; the comment section is weighed with equal measure alongside the reviews. The noise follows them onto their phones—in the form of reels, reaction videos, fan edits, memes, and anonymous threads, she says.

Reflecting on her early days, she says, "I used to care a lot. I would think for hours about a caption, or a post." Obsessing over every minor detail, she notes, is a losing game. 

Years of being at the receiving end of that scrutiny, she admits, have forced her to learn the art of detachment, knowing when to unplug.

Having been in the industry for quite some time, Panday shares that she now knows how little power that noise actually holds. “People don’t care. You think people care, but they don’t—people have other things happening in their lives.” It’s a grounding reminder for her: today's headline will be forgotten tomorrow.

Exclusive | Ananya Panday on Social Media Scrutiny and Box-Office Verdicts: 'So Much of Our Validation Is Based on a Friday'

In recent years, mainstream cinema in India has seen an increase in the dark and the violent — thrillers steeped in gore, heroes drenched in blood. For Women’s Month,

, Kalyani Priyadarshan and Ananya Panday and asked them: what do they think of the rise of hypermasculine cinema?

Priyadarshan resists reducing this shift to masculinity alone. “I don’t know if it’s the masculinity aspect,” she says. “I believe the audience directs where cinema is going, not producers sitting behind a desk.” For her, the current wave is being propelled by the feedback loop of box-office returns. 

“Right now, this trend, and I call this a trend because I don’t think it is going to last," she emphasises, "It is what’s [considered] practical, and every scene has to be sensational or shocking. You can show spectacle with violence, and people think that’s what’s selling cinema. It scares me a little, but I believe it’s a trend.”

Panday echoes that fatigue. “It feels repetitive in that sense, everyone wants to make what’s working.” In an industry that moves quickly to replicate success, imagination often gives way to formula. When one film breaks out, a dozen more follow its blueprint, she says.

Kapoor Khan also points out the lack of range in mainstream cinema today. “Now I think it’s all thriller, crime, gore, blood. No fun, energy, colour, love, romance," she laughs.

However, they agree, the solution does not lie with either actors or producers alone—there needs to be a combined effort to pave the way forward. "It's a systemic change that needs to happen," says Panday.

For Priyadarshan, a big part of this change lies behind the camera. “I think what worked for 

is that we had an amazing woman writer on the team," she shares. "I wish more movies would have women writers, because I feel a different perspective comes that way. Men write what they know; you can’t blame them. If they try to write for a woman, it will go off, in my opinion.”

Exclusive | Kareena Kapoor Khan, Kalyani Priyadarshan and Ananya Panday on Toxic Masculinity in Films: 'Everyone Wants To Make What’s Working'

In an industry that has long treated youth as the ultimate currency for women, Kareena Kapoor Khan is done negotiating with the mirror.

“I don’t care what people say," she says, with her typical candour. Nearly three decades into her career, Kapoor-Khan says she has “been there, done that, seen it all.” While her early career was marked by aspirational, blockbuster cinema, today, she actively seeks out a challenge. “What excites me more is [a challenge], like going bare in 

.” In choosing to go bare-faced, with minimal makeup and styling, she further rejects the emphasis placed on a leading woman's appearance, age and fashion.

Her body, once a national fixation during the “size zero” phase, is no longer a talking point she entertains. “I’ve been a size zero and I’ve been a size ten, and I want to own it,” she says, matter-of-factly.  "Of course, in terms of fashion, and couture, 

I will do and wear exactly what I feel in the moment, but I always want to be known for the actor that I am," she adds. While the noise around women's bodies continues, Kapoor-Khan, it seems, has moved on. "I'm have a blast in my forties!" she exclaims. There is a clear dismissal of the collective panic that often surrounds ageing. For her, ageing isn't a liability, or a call for a rebrand: it is simply a natural progression that is inevitable. "

This is it, it’s 2026, I’m going to be 46, I’m a mother of two, and I believe I look amazing,” she smiles. 

The anxiety around ageing, she suggests, is sustained by denial. “How long are you going to keep running away from ageing?” she asks. In a culture that is bent on preserving a woman's youth, her refusal to apologise for her age—or to hide it—is refreshing. 

Kareena Kapoor Khan on Ageing and Desirability: ‘I Don’t Care What People Say’

 spotlights three actors from different generations — Kareena Kapoor Khan, Kalyani Priyadarshan and Ananya Panday — who reflect on the importance of saying ‘no’, and what it means for women in cinema today.

Kapoor Khan is candid about the culture she entered. “We just did what we were told,” she says. “I’ve seen a transition in that, even though I’ve always been vociferous about the way I’ve felt about things.” The status quo was rarely questioned: yet, she says, she made it a point to prioritise her instincts. 

“I told Farah [Khan], listen, I can’t dance like Hrithik Roshan,” she laughs, recalling a moment where she declined a wide-angle shot during a dance sequence, aware that she would not be able to show up the way she wanted to. “If you know what you want, you should always put yourself first,” she emphasises. “You have to look inwards for yourself, and speak up.”

For Panday and Priyadarshan, this lesson was learned as they observed co-actors on-set. 

“In my first few films, I didn’t know that I could say no,” says Panday. “I didn’t know that I could say that I’m not comfortable doing something, that I don’t want to wear something on-set, or I’m not okay saying a dialogue,” she shares.  “I think sometimes we don’t realise that films are forever.” 

There will always be a record of one’s performance on-screen, she says, and that can have a strong impact on audiences, be it positive or negative. "Even the smallest thing you might say, people are going to watch it for years, and people are going to remember it,” she adds. 

Panday says she learned the art of saying ‘no’ while working with Deepika Padukone on the sets of 

. “I saw how much strength [Deepika] had, and how she conducted herself, if she wanted something, she would ask for it, and she did it in such a graceful way,” she recalls. “I was scared that if I asked questions, the [response on-set] would be, ‘she’s too much’...but when Deepika [asked questions], that taught me a lot.”

Similarly, Priyadarshan learned that self-sacrifice may not be in the film’s best interest while working with none other than Fahadh Faasil. “We often give everything for a take,” she says. “And we don’t like to say no to our directors.” Yet, she says, she has been “very, very lucky” with the filmmakers she has worked with, who have always prioritised her comfort on-set. 

“There are moments where you’re incredibly exhausted, and you give a shot, but you watch the movie and realize your eyes look [visibly tired],” she shares. She recalls a moment when filming with Faasil that taught her that ‘no’ is an option. Despite the natural lighting affecting their performance, she gave her take — however, Faasil politely declined.

Priyadarshan shares, “The light was in his eye, and he said, ‘The light is in my eye, it’s going to look bad on the big screen.’” He took a break, returned once the lighting improved, and completed his shot in one take. Since then, she says, “I’ve learned to say, it’s probably better for the film if I take a break.”

What is clear from their perspectives, is that ‘no’ is no longer a form of defiance: if anything, it’s discernment and self-awareness. In a culture where compliance is expected of women, the three actors have been rewriting the rules of professionalism on-set.

Exclusive | Kareena Kapoor Khan, Ananya Panday and Kalyani Priyadarshan on Defining Boundaries and Learning to Say ‘No’ on Film Sets

Priyanka Chopra Jonas has been announced as one of the presenters at the upcoming Academy Awards ceremony, joining a roster that includes Robert Downey Jr., Anne Hathaway, Paul Mescal, Will Arnett and Gwyneth Paltrow. The latest group of presenters was confirmed by the ceremony’s production team as part of a new round of announcements ahead of the awards night.

The announcement was made by executive producer and showrunner Raj Kapoor and executive producer Katy Mullan, according to reporting by 

. The group represents the third official set of presenters revealed for this year’s event.

Chopra shared the news on social media shortly after the announcement, posting about the 2026 ceremony on Instagram. The update prompted congratulatory responses from fans and members of the film fraternity. Actor Hrithik Roshan reacted to the post, while comedian Zakir Khan was among those offering public congratulations.

The presenting role comes days after Chopra headlined the international feature 

, continuing her run of global projects that straddle Indian and Hollywood productions. Over the past decade, the actor has increasingly worked across both industries, appearing in international film and television titles while also maintaining a presence in Hindi cinema.

The 98th Academy Awards are scheduled to take place at the Dolby Theatre in Los Angeles on 15 March. The ceremony will bring together nominees, presenters and industry figures from across global cinema.

Earlier announcements had already confirmed a number of presenters, including Adrien Brody, Javier Bardem, Kieran Culkin, Chris Evans, Mikey Madison, Demi Moore, Kumail Nanjiani, Maya Rudolph and Zoe Saldaña.

Among the films receiving multiple nominations this year are 

, which have earned eight and 13 nominations respectively. Further announcements related to the ceremony are expected in the lead-up to the event.

Chopra's upcoming projects include the highly anticipated 

Priyanka Chopra to Present at 2026 Oscars Alongside Robert Downey Jr, Anne Hathaway

Pictures of Tamil superstar turned politician Vijay attending a wedding reception with fellow actor Trisha have broken the internet. The duo were photographed at producer Kalpathi S Suresh and Meenakshi Suresh's son's wedding reception in Chennai on Thursday, March 6. This is their first public appearance together amid Vijay's divorce proceedings. 

A few days ago, Vijay’s wife initiated divorce proceedings against him, accusing him of long-term infidelity. 

Sangeetha Sornalingam, Vijay’s wife of 27 years, has filed a petition seeking divorce on grounds of alleged infidelity, claiming that the actor was involved in an extra-marital relationship with a female actor. She has reportedly been living separately from Vijay for the past two years.

In her petition, Sangeetha has cited provisions under Section 27(1)(a) and 27(1)(d) of the Special Marriage Act, 1954, which allow a spouse to seek divorce on grounds including adultery and cruelty. The filing reportedly alleges that Vijay was involved in an extramarital relationship with a female actor. The petition further claims that the alleged relationship came to light in 2021 and continued despite assurances that it would end.

Vijay has been directed to appear in person on April 20, when the case is scheduled for further hearing. The actor is at an important crossroads in his life and career, transitioning from cinema to politics. His party Tamilaga Vettri Kazhagam (TVK) is set to face its first electoral challenge in the upcoming Tamil Nadu Legislative Assembly elections this year.

On the film front, Vijay's Jana Nayagan directed by H. Vinoth —titled Jana Neta in Hindi—is positioned as his final film before his transition into full-time politics. Scheduled to release on 9 January 2026, the film has since been delayed due to various censorship issues and hurdles, and is now without a release date. 

The big-budget political thriller also features Bobby Deol, Pooja Hegde, Mamitha Baiju and Priyamani, and is among the most anticipated releases of 2026.

Vijay Attends Wedding Reception With Trisha Amid Divorce Proceedings

collaborating with Telugu filmmaker Bobby? That was the speculation that gained traction online, with chatter around a possible teaming up between Roshan and the helmer, who delivered the 2025 hit 

While the possibility of such a collaboration sparked interest across social media, 

has learnt that there are currently no active discussions with the actor. 

The speculation gathered momentum after an interview featuring Telugu screenwriter-producer Kona Venkat began circulating widely on X. In the clip, Venkat mentioned that his team had met Roshan for a narration, adding that the superstar had responded positively to the idea for a tentative new film that Bobby was expected to direct. 

The remarks quickly fuelled chatter online that Roshan might be collaborating with Bobby on an untitled pan-India project backed by Mythri Movie Makers.

Industry sources, however, say that while a meeting between the teams did take place some time ago, the conversation did not progress further. “There was a meeting a while back and it was a positive interaction, but nothing materialised beyond that, which is quite common in the industry. At the moment, there is no project being discussed with Hrithik,” a source told 

Roshan is already set to headline a large-scale pan-India film with Hombale Films, led by founder Vijay Kiragandur. As previously announced by the actor and the studio, the project aims to mount a cinematic spectacle where “intensity meets imagination on a grand scale.”

In an earlier statement, Roshan had said he was looking forward to partnering with the banner and delivering a “cinematic experience for our audience,” adding that the team was “dreaming big and committed to bringing the vision to life.” The production house is known for backing major pan-India hits such as the 

Roshan is also expanding his slate on streaming. Through his banner HRX Films, he has partnered with Amazon Prime Video for the original thriller drama series 

. Created and directed by Ajitpal Singh, the show explores secrets, ambition and survival in the heart of Mumbai and features an ensemble cast that includes Parvathy Thiruvothu, Alaya F, Srishti Shrivastava, Rrama Sharma and Saba Azad.

Exclusive | Hrithik Roshan Not Teaming Up With ‘Daaku Maharaaj’ Director Bobby For His Next

, its upcoming cross-cultural coming-of-age film starring Priyanka Mohan. Released on Wednesday, March 4, the preview offers a first glimpse into a story that bridges Tamil Nadu and Seoul, positioning the film as a reflective look at migration, identity and the gap between aspiration and reality.

Directed and written by Ra Karthik—known for 

 follows Shenba, played by Mohan, a young woman from a small town in Tamil Nadu who dreams of travelling to South Korea. After years of saving, she finally manages to make the trip to Seoul, hoping to experience the country she has long imagined from afar. But the trailer quickly suggests that the journey will be far from the fantasy she envisioned.

Shenba is a character caught between the excitement of a new journey, and its precarity. Arriving in Seoul alone, she finds herself navigating language barriers, unfamiliar streets and the isolation of being far from home. The trailer hints at moments of struggle, but also at the friendships that begin to shape her experience in the city. With the help of people she meets along the way—including characters played by South Korean actors Park Hye Jin and No Ho Jin—Shenba slowly begins to find belonging in a place that initially feels overwhelming.

At its core, the film appears to lean into themes of self-discovery and resilience, tracing how Shenba learns to navigate a world that is culturally and emotionally distant from the one she knows. The trailer positions the story less as a travel fantasy, and more as a grounded exploration of migration.

Speaking about the film, Mohan described the project as a personal milestone. “

 and Shenba’s journey is deeply personal to me. It’s about discovering strength in moments of uncertainty and learning to stand on your own. Portraying her evolution from vulnerability to independence was both challenging and deeply rewarding,” she said in a statement. The actor also noted that the film marks her first collaboration with Netflix, adding that she hopes Shenba’s story resonates with audiences across borders.

 continues the growing trend of Indian projects exploring international cultural exchanges—particularly with South Korea, whose global pop culture influence has expanded dramatically in recent years.

The film is set to premiere on Netflix on March 12.

'Made in Korea' Trailer: Priyanka Mohan On A Trip to Seoul

Salman Khan is in discussions with filmmaker duo Raj Nidimoru and Krishna D.K. for a potential superhero film that would see the actor play a weary crime-fighter looking to retire, 

The project, currently in the scripting stage, is described as a high-concept superhero comedy that blends action set pieces with broad humour. The story reportedly centres on a veteran superhero who has grown tired of saving the world and hopes to step away from the role, only to be repeatedly drawn back into conflict by circumstances beyond his control.

Sources said the tone of the film leans toward irreverent genre storytelling, with the narrative combining comic beats with the conventions of a large-scale superhero film. The character is expected to be written with Khan’s screen persona in mind, should the actor formally come on board.

Discussions between Khan and the director duo have reportedly been ongoing for several months. While the actor is said to have responded positively to the central idea, sources indicated that he has asked the filmmakers to finalise a screenplay before committing to the project.

Budget considerations are also believed to be a factor in the discussions. According to sources, Khan has emphasised the need for the film to be mounted within a controlled production scale rather than as a heavily budgeted superhero spectacle.

A detailed narration is expected to take place around April 2026 once the script reaches a more complete stage. If the project moves forward, production is tentatively expected to begin in November 2026.

The film is said to be backed by Mythri Movie Makers in association with Reel Life Entertainment.

If finalised, the project would mark the first collaboration between Khan and the Raj & DK filmmaking duo, who are known for genre-blending projects across film and streaming. Further details, including casting and title, have not yet been announced.

Salman Khan in Talks to Play Retiring Superhero in Raj & DK Project, Reports Say

The March box-office calendar has had quite the shake-up. 

, the upcoming Telugu action entertainer headlined by Pawan Kalyan, will now release a week earlier than scheduled. Originally slated for March 26, the film has been moved up to March 19, setting up a direct theatrical clash with the big-budget sequel 

Directed by Harish Shankar and produced by Mythri Movie Makers, 

 has long been positioned as a major mass entertainer in the Telugu market. The film features Kalyan in the titular role alongside Sreeleela and Raashii Khanna, and carries significant expectations given the actor’s enduring fan base and the director’s track record with commercial cinema.

The sudden date shift comes after a reshuffle in the release calendar. The March 19 slot was previously occupied by 

, which has now been postponed to June, leaving a lucrative festival window open. Producers quickly moved to occupy the vacated date, particularly as the period coincides with regional holidays such as Ugadi and Gudi Padwa—traditionally strong weekends for theatrical footfall. The change was announced by the makers in a post on social media, where they said: “Our USTAAD arrives a week early to spark massive celebrations at the box office.”

The earlier release also means stepping into direct competition with 

 of director Aditya Dhar’s high-profile spy action franchise. The film continues the narrative of the 2025 blockbuster 

, which emerged as one of the year’s biggest Hindi hits, and its sequel arrives with considerable momentum and a pan-India release across multiple languages. 

, the earlier date could translate into an advantage in the Telugu-speaking markets, where Kalyan’s star power remains formidable. The film also recently announced that the renowned S. Thaman would be creating the film's background music score, and not Devi Sri Prasad (DSP), who created its high-energy soundtrack. The makers cited scheduling conflicts as the reason for bringing Thaman on board, and cleared the air in a statement on social media. This move has only increased the buzz surrounding the film, with fans eager to witness the musical genius of both artistes.

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'Fauzi': Anupam Kher Joins The Prabhas Film

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