‘Tere Ishk Mein’ Movie Review: When ‘Raanjhanaa’ and ‘Animal’ Enter A Toxic Relationship
Starring Dhanush and Kriti Sanon, Aanand L. Rai’s latest monument to the madness of love is very difficult to sit through.
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Starring Dhanush and Kriti Sanon, Aanand L. Rai’s latest monument to the madness of love is very difficult to sit through.

Ananyabrata Chakravorty’s small-town whodunnit has the ideas, but fails to contain its excitement.

Milap Zaveri’s latest plays out like a prudish porn fantasy parading as an unwatchable sex comedy.

Starring Farhan Akhtar, the historical drama set during the 1962 Sino-Indian war is ambushed by its own mediocrity.

Actor Anshuman Jha’s directorial debut — a chatty chamber drama set in an English manor — does too much and says too little

The romcom stars Varun Dhawan and Janhvi Kapoor in an endless time-loop of Bollywoodisms and stale references

Anurag Kashyap searches for vintage Anurag Kashyap for 176 minutes, but the patience does not pay off.

A South-sized hangover is not the only crack in the fourth installment of the ‘Baaghi’ movie franchise.

It’s hard to imagine a more misguided Hindi movie idea than that of a 116-minute comedy without any dialogue

The culture-clash romcom, starring Sidharth Malhotra and Janhvi Kapoor, has no identity of its own

The musical drama, inspired by the life of Kashmir’s first female playback singer, presents music without quite exploring it

2000s Chandigarh is the protagonist of Ankur Singla’s well-acted friendship drama

Directed by Pulkit, ‘Maalik’ lacks both single-screen soul and multiplex gloss

Inspired by a Ruskin Bond short story, the romantic drama starring Vikrant Massey and Shanaya Kapoor takes the ‘love is blind’ adage too far

Abhishek Bachchan stars as a dementia-afflicted character in this 'Baghban'-coded remake of a Tamil film.

Starring the likes of Aditya Roy Kapur, among others, this spiritual sequel to 'Life in a… Metro' (2007) is staged as a wild modern-day musical

Vishal Furia’s supernatural thriller is too safe to be scary.

Karan Kandhari’s radical film about a lonely housewife deconstructs the idea of feminism.

Mehran Amrohi’s modest indie was made long ago, but its themes are timeless.

Dibakar Das Roy’s film about a Nigerian striver skewers the city with humour and bluntness.









