Rohan Kanawade on Making a Love Story Without Music in ‘Sabar Bonda’: ‘It was a Difficult Decision — Not to Make, but to Explain’
The filmmaker explains the decision to strip his love story of songs and background score.
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The filmmaker explains the decision to strip his love story of songs and background score.

Kalki Koechlin reflects on her new Franco-American film 'Her Song,' the tyranny of spectacle, and the disappearance of indie cinema.

Mira Nair on crafting her cinematic legacy and why she has no chance of getting her son, New York city mayor Zohran Mamdani, to ever act in a film

With MAMI cancelled, Mumbai’s arthouse scene stands exposed — no film centre, no indie hubs, only passionate cinephiles keeping the culture alive.

For independent cinema in India, distribution remains limited to tier-1 cities, though growing demand extends show runs.

Rohan Kanawade’s pitch-perfect Sundance winner humanises the constraints of queer love.

Nobody challenges the form of Indian storytelling quite like Nidhi Saxena, whose second film is playing at the Venice International Film Festival

2000s Chandigarh is the protagonist of Ankur Singla’s well-acted friendship drama

With mid-tier commercial fare staking its claim on OTTs, and theatrical avenues closing fast, independent cinema is once again back to where it began: on the margins.

Aranya Sahay’s beautifully conceived story won top honours at the 16th Bengaluru International Film Festival (BIFFes)

For the award-winning director, the path to funding has felt like an endless cycle of uncertainty









