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The Telugu romance attempts to portray the harsh realities of a romance opposed by families. In this pursuit, it forgets to address its own insensitivity.
The Sudheer Babu and Sonakshi Sinha film is so convinced about its withering logic, it keeps unraveling, like a hallucinating AI model
The film, on paper, revolves around a man who navigates his love for two women. But 'Telusu Kada', in reality, is a cautionary tale about a man who is full of himself.
What could’ve been a robust action vehicle for Anushka Shetty, quickly meanders into terribly predictable revenge territory.
Anupama Parameswaran, Darshana Rajendran and Sangitha headline director Praveen Kandregula’s film revolving around three women navigating patriarchy, not just in the buddy genre space, but also the mainstream landscape
A robust Vijay Deverakonda and Satyadev lead Gowtam Tinnanuri’s film. But its lack of tension often distances us from what could have been a solid story of redemption.
What starts off as an occasionally amusing drama about a 17th century Robinhood type getting ready for a heist, goes into deeply problematic territory very soon.
Suhas and Malavika Manoj are sincere in a film that has neither depth nor energy.
An exhausting boilerplate action fare wrapped in some impressive music and high production value.
The film and its residents operate out of a place of kindness and peculiarity that is quite original
Bhaskhar Maurya’s Telugu feature is a wholesome look at the often lonely but deeply fulfilling lives of dreamers
Director Sailesh Kolanu trades the emotional catharsis of the previous instalments for more dramatic stakes, but with middling results.
Mohanakrishna Indraganti’s film doesn't fully live up to its promise, but the superb one-liners and sharp-witted banter save the day.
Pradeep Chilukuri’s film, starring Nandamuri Kalyan Ram, is an assault on the senses.
Led by Tamannaah Bhatia, the sequel shows flashes of ambition but lacks coherence or real conviction.
'Bommarillu' Bhaskar's film yearns to be an action-comedy such as 'Kingsman' or 'Johnny English,' but without working efficiently on the anatomy of this sub-genre.
Some of the elements in Ram Jagadeesh’s debut film feel slightly off-base, but the film comes together because of strong performances and staging.
Trinadha Rao Nakkina's film has a strong central conflict that is fit for both humour and emotional resonance, but somehow the two aspects never come together.
Almost nothing about Vishwak Sen's 'Laila' seems to have stemmed out of any kind of effort or interest. The result is something beyond any redemption.
Chandoo Mondeti's drama feels like a squandered opportunity that not only remains unsure of its central conflict, but also ends up treading a path too sentimentally contrived for its own good.
