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Gayle Sequeira is a film critic and reporter. Her work has appeared in The Guardian, Vulture, GQ, BFI, Sight and Sound, The Daily Beast and more.
In 'Shadowbox/ Baksho Bondi,' which premiered at the Berlin International Film Festival in the Perspectives section, there’s no real mystery; the film cycles through the same motions. Instead, the best parts of its storytelling are wordless
In 'Vaghachipani,' which is the first Kannada-language film to premiere in the Forum section of the Berlin International Film Festival, the restraint of Hegde’s camerawork contrasts against, and amplifies, the violence of his characters.
From a new Bong Joon-ho outing to a Norwegian body horror take on the classic 'Cinderella,' there is lots to look forward to at the 2025 Berlin International Film Festival.
No show whose description entails the term “space witches” should ever be this dull
Ridley Scott’s epic trades the optimism of its prequel for a more clear-eyed condemnation of the state of its world, and ours.
The Venom films have always been somewhat of an odd but ultimately charming fusion, attempting to strike a balance between deadly seriousness and sheer absurdity.
