, the sequel to Ranveer Singh’s record-breaking action film 

, was released on Saturday at 11:01am, following a social media announcement by the makers a few hours earlier.

In a tweet teasing the launch, the team described the upcoming preview as a “4 Minutes Of Pure Adrenaline Rush Trailer,” confirming that the clip would drop shortly after the announcement. Singh had revealed the precise release time a day earlier on his official social media handle.

'Dhurandhar: The Revenge' Trailer Drops: Ranveer Singh Returns in Aditya Dhar’s Sequel Ahead of March 19 Release

 entered the world of films with a clear-eyed understanding of the industry. Having grown up around cinema, she has seen its volatility firsthand. “We all saw the ups and downs of our parents [in the industry]," she tells 

"We’ve all seen how it can destroy a person when things aren’t going right, but we still choose to be here because of our love for cinema," she shares. "It keeps me sane.”

That love informs the way she approaches her work, even today. For Priyadarshan, filmmaking is a collaborative exercise, and her time working behind the camera has shaped how she approaches her work on sets. “I think it gives me a different kind of empathy for everyone on-set," she shares. 

"When delays happen, I'm very aware that no one has planned for this, and I'm happy to wait in my van for hours on-set if something goes wrong.” In fact, she reveals, her experience working in production has also impacted the way she performs in front of the camera. "

I’m a very private person, I have massive stage fright," she confesses.

However, knowing what she knows about the chaos of a film shoot, she no longer feels conscious about all the eyes on her during a take. 

“Everyone on set is focused on their work, and that helped me loosen up on set," she says. "I just surrender to my director, and the process is different for each film as a result.”

For her, it is not stardom that is the end goal—it's agency. "It’s not the popularity that excites me, it’s the freedom," she says. That freedom, as she sees it, is directly tied to power—the power of creative autonomy. 

“I feel like, at least right now, in our country, producers are more willing to back stars than they are willing to back stories," she says. "I think that’s mainly the reason I get the freedom to choose the stories that I want, to give them the kind of backing I’d be able to give them, if I were a star."

Impact, for her, is tied to choice—the ability to support stories she believes in and help move them forward. But she is equally aware that the final word belongs elsewhere. The overwhelming response to 

) reinforced that for her. “The audience, they surprise you at every step.”

Exclusive | Kalyani Priyadarshan on Stardom and Freedom to Choose Her Films: ‘Producers Back Stars More Than Stories in India’

The fate of a film that has been years in the making can be decided in a matter of hours — by Friday afternoon, the verdicts are already out. Months of production, promotion and anticipation boil down to opening numbers and early reviews. In an industry where box office numbers can make or break careers overnight, 

“So much of our validation is just based on a Friday,” she says in a conversation with 

. “It’s for the world to see, and everything is so public. You can’t let it consume you.” The pressure of being in the public eye has been exacerbated by the Internet, she observes, where anyone and everyone is welcome to share their opinion.

The scrutiny, the actor points out, no longer comes from a handful of critics or experts: “Everyone has a take now," she says.  Social media has dismantled the hierarchy of criticism; the comment section is weighed with equal measure alongside the reviews. The noise follows them onto their phones—in the form of reels, reaction videos, fan edits, memes, and anonymous threads, she says.

Reflecting on her early days, she says, "I used to care a lot. I would think for hours about a caption, or a post." Obsessing over every minor detail, she notes, is a losing game. 

Years of being at the receiving end of that scrutiny, she admits, have forced her to learn the art of detachment, knowing when to unplug.

Having been in the industry for quite some time, Panday shares that she now knows how little power that noise actually holds. “People don’t care. You think people care, but they don’t—people have other things happening in their lives.” It’s a grounding reminder for her: today's headline will be forgotten tomorrow.

Exclusive | Ananya Panday on Social Media Scrutiny and Box-Office Verdicts: 'So Much of Our Validation Is Based on a Friday'

In recent years, mainstream cinema in India has seen an increase in the dark and the violent — thrillers steeped in gore, heroes drenched in blood. For Women’s Month,

, Kalyani Priyadarshan and Ananya Panday and asked them: what do they think of the rise of hypermasculine cinema?

Priyadarshan resists reducing this shift to masculinity alone. “I don’t know if it’s the masculinity aspect,” she says. “I believe the audience directs where cinema is going, not producers sitting behind a desk.” For her, the current wave is being propelled by the feedback loop of box-office returns. 

“Right now, this trend, and I call this a trend because I don’t think it is going to last," she emphasises, "It is what’s [considered] practical, and every scene has to be sensational or shocking. You can show spectacle with violence, and people think that’s what’s selling cinema. It scares me a little, but I believe it’s a trend.”

Panday echoes that fatigue. “It feels repetitive in that sense, everyone wants to make what’s working.” In an industry that moves quickly to replicate success, imagination often gives way to formula. When one film breaks out, a dozen more follow its blueprint, she says.

Kapoor Khan also points out the lack of range in mainstream cinema today. “Now I think it’s all thriller, crime, gore, blood. No fun, energy, colour, love, romance," she laughs.

However, they agree, the solution does not lie with either actors or producers alone—there needs to be a combined effort to pave the way forward. "It's a systemic change that needs to happen," says Panday.

For Priyadarshan, a big part of this change lies behind the camera. “I think what worked for 

is that we had an amazing woman writer on the team," she shares. "I wish more movies would have women writers, because I feel a different perspective comes that way. Men write what they know; you can’t blame them. If they try to write for a woman, it will go off, in my opinion.”

Exclusive | Kareena Kapoor Khan, Kalyani Priyadarshan and Ananya Panday on Toxic Masculinity in Films: 'Everyone Wants To Make What’s Working'

In an industry that has long treated youth as the ultimate currency for women, Kareena Kapoor Khan is done negotiating with the mirror.

“I don’t care what people say," she says, with her typical candour. Nearly three decades into her career, Kapoor-Khan says she has “been there, done that, seen it all.” While her early career was marked by aspirational, blockbuster cinema, today, she actively seeks out a challenge. “What excites me more is [a challenge], like going bare in 

.” In choosing to go bare-faced, with minimal makeup and styling, she further rejects the emphasis placed on a leading woman's appearance, age and fashion.

Her body, once a national fixation during the “size zero” phase, is no longer a talking point she entertains. “I’ve been a size zero and I’ve been a size ten, and I want to own it,” she says, matter-of-factly.  "Of course, in terms of fashion, and couture, 

I will do and wear exactly what I feel in the moment, but I always want to be known for the actor that I am," she adds. While the noise around women's bodies continues, Kapoor-Khan, it seems, has moved on. "I'm have a blast in my forties!" she exclaims. There is a clear dismissal of the collective panic that often surrounds ageing. For her, ageing isn't a liability, or a call for a rebrand: it is simply a natural progression that is inevitable. "

This is it, it’s 2026, I’m going to be 46, I’m a mother of two, and I believe I look amazing,” she smiles. 

The anxiety around ageing, she suggests, is sustained by denial. “How long are you going to keep running away from ageing?” she asks. In a culture that is bent on preserving a woman's youth, her refusal to apologise for her age—or to hide it—is refreshing. 

Kareena Kapoor Khan on Ageing and Desirability: ‘I Don’t Care What People Say’

 spotlights three actors from different generations — Kareena Kapoor Khan, Kalyani Priyadarshan and Ananya Panday — who reflect on the importance of saying ‘no’, and what it means for women in cinema today.

Kapoor Khan is candid about the culture she entered. “We just did what we were told,” she says. “I’ve seen a transition in that, even though I’ve always been vociferous about the way I’ve felt about things.” The status quo was rarely questioned: yet, she says, she made it a point to prioritise her instincts. 

“I told Farah [Khan], listen, I can’t dance like Hrithik Roshan,” she laughs, recalling a moment where she declined a wide-angle shot during a dance sequence, aware that she would not be able to show up the way she wanted to. “If you know what you want, you should always put yourself first,” she emphasises. “You have to look inwards for yourself, and speak up.”

For Panday and Priyadarshan, this lesson was learned as they observed co-actors on-set. 

“In my first few films, I didn’t know that I could say no,” says Panday. “I didn’t know that I could say that I’m not comfortable doing something, that I don’t want to wear something on-set, or I’m not okay saying a dialogue,” she shares.  “I think sometimes we don’t realise that films are forever.” 

There will always be a record of one’s performance on-screen, she says, and that can have a strong impact on audiences, be it positive or negative. "Even the smallest thing you might say, people are going to watch it for years, and people are going to remember it,” she adds. 

Panday says she learned the art of saying ‘no’ while working with Deepika Padukone on the sets of 

. “I saw how much strength [Deepika] had, and how she conducted herself, if she wanted something, she would ask for it, and she did it in such a graceful way,” she recalls. “I was scared that if I asked questions, the [response on-set] would be, ‘she’s too much’...but when Deepika [asked questions], that taught me a lot.”

Similarly, Priyadarshan learned that self-sacrifice may not be in the film’s best interest while working with none other than Fahadh Faasil. “We often give everything for a take,” she says. “And we don’t like to say no to our directors.” Yet, she says, she has been “very, very lucky” with the filmmakers she has worked with, who have always prioritised her comfort on-set. 

“There are moments where you’re incredibly exhausted, and you give a shot, but you watch the movie and realize your eyes look [visibly tired],” she shares. She recalls a moment when filming with Faasil that taught her that ‘no’ is an option. Despite the natural lighting affecting their performance, she gave her take — however, Faasil politely declined.

Priyadarshan shares, “The light was in his eye, and he said, ‘The light is in my eye, it’s going to look bad on the big screen.’” He took a break, returned once the lighting improved, and completed his shot in one take. Since then, she says, “I’ve learned to say, it’s probably better for the film if I take a break.”

What is clear from their perspectives, is that ‘no’ is no longer a form of defiance: if anything, it’s discernment and self-awareness. In a culture where compliance is expected of women, the three actors have been rewriting the rules of professionalism on-set.

Exclusive | Kareena Kapoor Khan, Ananya Panday and Kalyani Priyadarshan on Defining Boundaries and Learning to Say ‘No’ on Film Sets

Priyanka Chopra Jonas has been announced as one of the presenters at the upcoming Academy Awards ceremony, joining a roster that includes Robert Downey Jr., Anne Hathaway, Paul Mescal, Will Arnett and Gwyneth Paltrow. The latest group of presenters was confirmed by the ceremony’s production team as part of a new round of announcements ahead of the awards night.

The announcement was made by executive producer and showrunner Raj Kapoor and executive producer Katy Mullan, according to reporting by 

. The group represents the third official set of presenters revealed for this year’s event.

Chopra shared the news on social media shortly after the announcement, posting about the 2026 ceremony on Instagram. The update prompted congratulatory responses from fans and members of the film fraternity. Actor Hrithik Roshan reacted to the post, while comedian Zakir Khan was among those offering public congratulations.

The presenting role comes days after Chopra headlined the international feature 

, continuing her run of global projects that straddle Indian and Hollywood productions. Over the past decade, the actor has increasingly worked across both industries, appearing in international film and television titles while also maintaining a presence in Hindi cinema.

The 98th Academy Awards are scheduled to take place at the Dolby Theatre in Los Angeles on 15 March. The ceremony will bring together nominees, presenters and industry figures from across global cinema.

Earlier announcements had already confirmed a number of presenters, including Adrien Brody, Javier Bardem, Kieran Culkin, Chris Evans, Mikey Madison, Demi Moore, Kumail Nanjiani, Maya Rudolph and Zoe Saldaña.

Among the films receiving multiple nominations this year are 

, which have earned eight and 13 nominations respectively. Further announcements related to the ceremony are expected in the lead-up to the event.

Chopra's upcoming projects include the highly anticipated 

Priyanka Chopra to Present at 2026 Oscars Alongside Robert Downey Jr, Anne Hathaway

Pictures of Tamil superstar turned politician Vijay attending a wedding reception with fellow actor Trisha have broken the internet. The duo were photographed at producer Kalpathi S Suresh and Meenakshi Suresh's son's wedding reception in Chennai on Thursday, March 6. This is their first public appearance together amid Vijay's divorce proceedings. 

A few days ago, Vijay’s wife initiated divorce proceedings against him, accusing him of long-term infidelity. 

Sangeetha Sornalingam, Vijay’s wife of 27 years, has filed a petition seeking divorce on grounds of alleged infidelity, claiming that the actor was involved in an extra-marital relationship with a female actor. She has reportedly been living separately from Vijay for the past two years.

In her petition, Sangeetha has cited provisions under Section 27(1)(a) and 27(1)(d) of the Special Marriage Act, 1954, which allow a spouse to seek divorce on grounds including adultery and cruelty. The filing reportedly alleges that Vijay was involved in an extramarital relationship with a female actor. The petition further claims that the alleged relationship came to light in 2021 and continued despite assurances that it would end.

Vijay has been directed to appear in person on April 20, when the case is scheduled for further hearing. The actor is at an important crossroads in his life and career, transitioning from cinema to politics. His party Tamilaga Vettri Kazhagam (TVK) is set to face its first electoral challenge in the upcoming Tamil Nadu Legislative Assembly elections this year.

On the film front, Vijay's Jana Nayagan directed by H. Vinoth —titled Jana Neta in Hindi—is positioned as his final film before his transition into full-time politics. Scheduled to release on 9 January 2026, the film has since been delayed due to various censorship issues and hurdles, and is now without a release date. 

The big-budget political thriller also features Bobby Deol, Pooja Hegde, Mamitha Baiju and Priyamani, and is among the most anticipated releases of 2026.

Vijay Attends Wedding Reception With Trisha Amid Divorce Proceedings

collaborating with Telugu filmmaker Bobby? That was the speculation that gained traction online, with chatter around a possible teaming up between Roshan and the helmer, who delivered the 2025 hit 

While the possibility of such a collaboration sparked interest across social media, 

has learnt that there are currently no active discussions with the actor. 

The speculation gathered momentum after an interview featuring Telugu screenwriter-producer Kona Venkat began circulating widely on X. In the clip, Venkat mentioned that his team had met Roshan for a narration, adding that the superstar had responded positively to the idea for a tentative new film that Bobby was expected to direct. 

The remarks quickly fuelled chatter online that Roshan might be collaborating with Bobby on an untitled pan-India project backed by Mythri Movie Makers.

Industry sources, however, say that while a meeting between the teams did take place some time ago, the conversation did not progress further. “There was a meeting a while back and it was a positive interaction, but nothing materialised beyond that, which is quite common in the industry. At the moment, there is no project being discussed with Hrithik,” a source told 

Roshan is already set to headline a large-scale pan-India film with Hombale Films, led by founder Vijay Kiragandur. As previously announced by the actor and the studio, the project aims to mount a cinematic spectacle where “intensity meets imagination on a grand scale.”

In an earlier statement, Roshan had said he was looking forward to partnering with the banner and delivering a “cinematic experience for our audience,” adding that the team was “dreaming big and committed to bringing the vision to life.” The production house is known for backing major pan-India hits such as the 

Roshan is also expanding his slate on streaming. Through his banner HRX Films, he has partnered with Amazon Prime Video for the original thriller drama series 

. Created and directed by Ajitpal Singh, the show explores secrets, ambition and survival in the heart of Mumbai and features an ensemble cast that includes Parvathy Thiruvothu, Alaya F, Srishti Shrivastava, Rrama Sharma and Saba Azad.

Exclusive | Hrithik Roshan Not Teaming Up With ‘Daaku Maharaaj’ Director Bobby For His Next

, its upcoming cross-cultural coming-of-age film starring Priyanka Mohan. Released on Wednesday, March 4, the preview offers a first glimpse into a story that bridges Tamil Nadu and Seoul, positioning the film as a reflective look at migration, identity and the gap between aspiration and reality.

Directed and written by Ra Karthik—known for 

 follows Shenba, played by Mohan, a young woman from a small town in Tamil Nadu who dreams of travelling to South Korea. After years of saving, she finally manages to make the trip to Seoul, hoping to experience the country she has long imagined from afar. But the trailer quickly suggests that the journey will be far from the fantasy she envisioned.

Shenba is a character caught between the excitement of a new journey, and its precarity. Arriving in Seoul alone, she finds herself navigating language barriers, unfamiliar streets and the isolation of being far from home. The trailer hints at moments of struggle, but also at the friendships that begin to shape her experience in the city. With the help of people she meets along the way—including characters played by South Korean actors Park Hye Jin and No Ho Jin—Shenba slowly begins to find belonging in a place that initially feels overwhelming.

At its core, the film appears to lean into themes of self-discovery and resilience, tracing how Shenba learns to navigate a world that is culturally and emotionally distant from the one she knows. The trailer positions the story less as a travel fantasy, and more as a grounded exploration of migration.

Speaking about the film, Mohan described the project as a personal milestone. “

 and Shenba’s journey is deeply personal to me. It’s about discovering strength in moments of uncertainty and learning to stand on your own. Portraying her evolution from vulnerability to independence was both challenging and deeply rewarding,” she said in a statement. The actor also noted that the film marks her first collaboration with Netflix, adding that she hopes Shenba’s story resonates with audiences across borders.

 continues the growing trend of Indian projects exploring international cultural exchanges—particularly with South Korea, whose global pop culture influence has expanded dramatically in recent years.

The film is set to premiere on Netflix on March 12.

'Made in Korea' Trailer: Priyanka Mohan On A Trip to Seoul

Salman Khan is in discussions with filmmaker duo Raj Nidimoru and Krishna D.K. for a potential superhero film that would see the actor play a weary crime-fighter looking to retire, 

The project, currently in the scripting stage, is described as a high-concept superhero comedy that blends action set pieces with broad humour. The story reportedly centres on a veteran superhero who has grown tired of saving the world and hopes to step away from the role, only to be repeatedly drawn back into conflict by circumstances beyond his control.

Sources said the tone of the film leans toward irreverent genre storytelling, with the narrative combining comic beats with the conventions of a large-scale superhero film. The character is expected to be written with Khan’s screen persona in mind, should the actor formally come on board.

Discussions between Khan and the director duo have reportedly been ongoing for several months. While the actor is said to have responded positively to the central idea, sources indicated that he has asked the filmmakers to finalise a screenplay before committing to the project.

Budget considerations are also believed to be a factor in the discussions. According to sources, Khan has emphasised the need for the film to be mounted within a controlled production scale rather than as a heavily budgeted superhero spectacle.

A detailed narration is expected to take place around April 2026 once the script reaches a more complete stage. If the project moves forward, production is tentatively expected to begin in November 2026.

The film is said to be backed by Mythri Movie Makers in association with Reel Life Entertainment.

If finalised, the project would mark the first collaboration between Khan and the Raj & DK filmmaking duo, who are known for genre-blending projects across film and streaming. Further details, including casting and title, have not yet been announced.

Salman Khan in Talks to Play Retiring Superhero in Raj & DK Project, Reports Say

The March box-office calendar has had quite the shake-up. 

, the upcoming Telugu action entertainer headlined by Pawan Kalyan, will now release a week earlier than scheduled. Originally slated for March 26, the film has been moved up to March 19, setting up a direct theatrical clash with the big-budget sequel 

Directed by Harish Shankar and produced by Mythri Movie Makers, 

 has long been positioned as a major mass entertainer in the Telugu market. The film features Kalyan in the titular role alongside Sreeleela and Raashii Khanna, and carries significant expectations given the actor’s enduring fan base and the director’s track record with commercial cinema.

The sudden date shift comes after a reshuffle in the release calendar. The March 19 slot was previously occupied by 

, which has now been postponed to June, leaving a lucrative festival window open. Producers quickly moved to occupy the vacated date, particularly as the period coincides with regional holidays such as Ugadi and Gudi Padwa—traditionally strong weekends for theatrical footfall. The change was announced by the makers in a post on social media, where they said: “Our USTAAD arrives a week early to spark massive celebrations at the box office.”

The earlier release also means stepping into direct competition with 

 of director Aditya Dhar’s high-profile spy action franchise. The film continues the narrative of the 2025 blockbuster 

, which emerged as one of the year’s biggest Hindi hits, and its sequel arrives with considerable momentum and a pan-India release across multiple languages. 

, the earlier date could translate into an advantage in the Telugu-speaking markets, where Kalyan’s star power remains formidable. The film also recently announced that the renowned S. Thaman would be creating the film's background music score, and not Devi Sri Prasad (DSP), who created its high-energy soundtrack. The makers cited scheduling conflicts as the reason for bringing Thaman on board, and cleared the air in a statement on social media. This move has only increased the buzz surrounding the film, with fans eager to witness the musical genius of both artistes.

'Ustaad Bhagat Singh' Moves Up Release to March 19, Setting Up Box Office Clash With 'Dhurandhar 2'

isn’t going anywhere. After the makers of 

postponed their film from the March 19 release slot, speculation surfaced on social media that the Ranveer Singh-starrer might also shift its date. That, however, isn’t the case. 

remain firmly set on a March 19 theatrical release, with no change in plans. One of the most anticipated Indian films in recent times, 

will now enjoy an open run at the box-office, and stands as the biggest Indian title arriving in theatres this month.

The makers plan to launch the film's poster, confirming the release date, followed by its debut trailer, which will drop on March 6.  The film is a sequel to the 2025 blockbuster 

, which shattered box-office records to emerge as the highest-grossing single-language film of all time, grossing over ₹1,300 crore globally.

The sequel continues the journey of Indian intelligence agent Hamza Ali Mazari, also known as Jaskirat Singh Rangi, who operates undercover in Karachi, infiltrating criminal syndicates and political power structures to dismantle a terror network threatening India.

Produced by Jyoti Deshpande and Lokesh Dhar, the film is set for a grand release on March 19, coinciding with Eid, Gudi Padwa and Ugadi. It will release in Hindi, Telugu, Tamil, Kannada, and Malayalam and is expected to shatter all opening day records in India.

also features Arjun Rampal, Sanjay Dutt, R. Madhavan, Akshaye Khanna, Sara Arjun and Rakesh Bedi.

will now hit theatres on June 4. The makers cited the current crisis in the Middle East as the reason for the rescheduling, stating that they had conceptualised the film with the vision to create cinema for a "global audience." 

"Filmed in Kannada and English, it is built with the conviction to connect with viewers both at home and across the world. After years of dedicated labour, we were excited to share our film with you all on the 19th of March. However, the current uncertainty, especially in the Middle East, has created a situation that impacts our goal to reach and connect with the widest possible audience," the makers said in a statement.

‘Dhurandhar 2’ on Track for Release as Yash’s ‘Toxic’ Gets Pushed Amid Middle East Uncertainty; Trailer Set for March 6

Telugu star Naga Chaitanya will next be seen in Karthik Dandu's upcoming spectacle 

. Ahead of its glimpse release later on March 5, Chaitanya shares his excitement with 

. "I’m really excited that the glimpse of 

 will be out today. It’s a film I’m extremely excited about. As an actor, I’ve always dreamt of being part of a larger-than-life spectacle that revolves around a lot of VFX, and for me, 

The actor goes on to detail his character, Arjun, from the upcoming film. "I play Arjun, a treasure hunter, which is a very unique characterisation that I haven’t attempted before, and I really enjoyed portraying it. The film also involves a lot of action-adventure sequences, so overall, Vrushakarma is a very fresh outing for me and something very new for the audiences as well," he says.

The upcoming Telugu film is jointly produced by BVSN Prasad and Sukumar under the banners Sri Venkateswara Cine Chitra LLP and Sukumar Writings. Prominent Telugu filmmaker Sukumar is also credited with the screenplay. Touted to be a mythical thriller, the film features music by Ajaneesh Loknath, cinematography by Ragul Dharuman, production design by Sri Nagendra Tangala, and editing by Naveen Nooli. Early last year, the makers released a concept teaser, giving us glimpses of the making, production design, rehearsals, and CGI process of their film.

The first glimpse of the film will be launched at 12.12PM at Prasad Cinemas, Hyderabad today (March 5). "

 and team have put together something super exciting," the actor wrote on X in February. 

 will co-star Meenakshi Chaudhary, who will play the role of 

Exclusive | Naga Chaitanya On 'Vrushakarma' And Playing A Treasure Hunter: 'I've Dreamt Of This'

Rashmika Mandanna and Vijay Deverakonda's reception in Hyderabad was a star-studded evening. Several celebrities from various industries attended the reception. 

The glitzy assembly line included Allu Arjun, Karthi, Chiranjeevi, Ram Charan, Nani, Ravi Teja, Karan Johar, Mrunal Thakur, Sree Leela, and Naga Chaitanya. 

Karnataka Deputy CM DK Shivakumar also attended the event. 

Telugu stars Vijay Deverakonda and Rashmika Mandanna recently got married in a beautiful ceremony in Udaipur. The couple, on March 2, posted pictures from their pre-wedding festivities, showing fans a glimpse of their sangeet event.

"The night filled with love, tears of joy, laughter, music, singing, glitters and us dancing through the night. It was really the most fun night ever!! From Vijju and I wanting to surprise each other.. to family wanting to surprise us.. to being fully excited and surprised to see our families dance so freely and so so well! 24.2.26! The night Vijay and I danced as one, surrounded by the love of our families and friends!" Mandanna wrote on Instagram, along with pictures from the evening. The couple also recently 

announced scholarships for class IX and X students in Telangana following their wedding.

The couple got married as per Telugu Hindu traditions on February 26, dazzling fans with their refreshing wedding couture choices. "One day, I missed her. Missed her in a way that made me feel like my day would’ve been better if she were around. Like my meals would’ve felt more wholesome if she were sitting across from me. Like my workouts would’ve been more fun and less of a punishment if she were doing them with me. Like I needed her - just to feel that sense of home and calm, no matter where I was. So, I made my best friend… my wife. 😀❤️26.02.2026," Deverakonda wrote on Instagram.

The power couple, who have acted in films like 

, have been reportedly dating for a while.

Inside Vijay Deverakonda & Rashmika Mandanna’s Star-Studded Reception: Allu Arjun, Karthi and More Attend

When friendship overlaps with work, friction is almost inevitable. For Mithila Palkar and Prajakta Koli, years of camaraderie have also meant being viewed as a ready-made duo for brand partnerships and other projects. “It’s assumed that we’re a package deal,” Koli admits—an assumption that recently led to a professional mix-up.

Palkar explains that brands or agencies sometimes approach one of them for projects, expecting that the opportunity would be communicated by one to the other, informally. 

“Sometimes, it’s taken for granted that if they contact Prajakta, then Prajakta will [loop me in herself]… But that’s not how it works, professionally. She has an agency, I have an agency,” says Palkar. Behind the warmth of their public friendship lies a clear understanding of professional boundaries: separate teams, separate contracts, separate negotiations. However, not all brands operate in the same way.

The miscommunication arose from precisely this grey area. The team reached out to Koli for an opportunity involving her and Palkar, but never reached out to Palkar herself. Koli recalls assuming that a brand had already spoken to Palkar’s team. “I assumed that they had already informed her… so nobody actually communicated with her, and I went ahead and did the work that I was supposed to do.” On Palkar’s end, the silence from the team meant the collaboration simply never materialised. 

“It wasn’t a fight,” she clarifies, “it was one of those things where I needed to clear things out from my end [with Koli], that nobody came back to my team, which is why the project never happened.” The onus, they emphasise, was not on either of them to informally convey a professional opportunity—it was on any brand or agency initiating the collaboration in the first place.

What could have easily led to friction between the two, was handled with care and intent. Their approach is simple: remove the noise, and talk directly. “If there’s ever a miscommunication, I want to talk to [Koli] first,” says Palkar. That instinct—to prioritise the relationship over the rumour mill—is what safeguards their bond.

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'Dhurandhar: The Revenge' Trailer Drops: Ranveer Singh Returns in Aditya Dhar’s Sequel Ahead of March 19 Release

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