‘Avatar: Fire and Ash’ Movie Review: James Cameron’s Beautiful Return to a World That No Longer Surprises
This third trip to Pandora with 'Avatar: Fire and Ash' is ravishing, earnest, and emotionally overloaded.
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This third trip to Pandora with 'Avatar: Fire and Ash' is ravishing, earnest, and emotionally overloaded.

The Crawleys face modernity, mortality (and sell their manor for a flat) in this perfectly bittersweet final farewell.

Jay Roach’s wickedly funny ‘The Roses’ turns Warren Adler’s dark comedy into a Sisyphean love story, with Cumberbatch and Colman finding gleeful ruin in each other’s company

The ‘Past Lives’ director assembles a delectable cast for a modern romance that wants to believe in love, even as it prices it out.

Tom Cruise races toward closure in a franchise that keeps running in circles.

Marvel’s latest ensemble film sidesteps formula to deliver a surprisingly heartfelt, quietly radical story about broken people, found families, and the superhero genre’s long-overdue reckoning with grief.

Paul Feig returns with a sequel for his hit 2018 movie, but this time, it's anything but simple.

In ‘Mickey 17,' why does Bong Joon-ho create the space for questions he has no willingness to examine? The film, constantly on its toes, is never able to fully appreciate what it has set up.

There was a time when the MCU promised intrigue, action, and at the very least, a narrative backbone. That time is long gone.

In Bridget Jones' fourth film outing, the tone feels darker and the themes are more complex; the humour comes with a side of grief while the drama comes without its usual dose of debauchery.

Robert Eggers' 'Nosferatu' exists on the edge between science and the occult, horror and joy, between dreams and reality, one swimming into the other, as though the boundaries were a formality.

Female teenage sexuality has rarely been captured with this sensitivity and nuance in an Indian film

The voice cast of Auli'i Cravalho, Dwayne Johnson and others struggle to keep afloat a screenplay that’s more cringe than clever, detracting from the authenticity of the characters and their dialogue

Ridley Scott’s epic trades the optimism of its prequel for a more clear-eyed condemnation of the state of its world, and ours.

The Venom films have always been somewhat of an odd but ultimately charming fusion, attempting to strike a balance between deadly seriousness and sheer absurdity.









