‘Tu Yaa Main’ Movie Review: Reels, Reptiles and a Fun Time at the Movies
Bejoy Nambiar’s survival thriller about an influencer couple stalked by a hungry reptile is silly, campy and perversely enjoyable
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Bejoy Nambiar’s survival thriller about an influencer couple stalked by a hungry reptile is silly, campy and perversely enjoyable

A sequel to 'Vadh' (2022), 'Vadh 2' stars veterans Sanjay Mishra and Neena Gupta at the top of their game

Presented by Shoojit Sircar and Vikramaditya Motwane, Varun Tandon’s poignant short film explores grief through the love language of food

Rani Mukerji returns as the massy-emotions-donning supercop in 'Mardaani 3', a movie that’s too reheated and calculated to make an impact

Rahi Anil Barve’s intriguing second film after 'Tumbbad' is set in a rundown movie theatre, but gets consumed by the stagey-ness of it all

The spiritual sequel to J.P. Dutta’s 'Border' is predictably loud and aggressive, refusing to conquer new ground.

The Vir Das-starring comedy about a bumbling NRI spy in Goa is unapologetically crazy, clumsy and contagious

Two generations of a Muslim family hold the peace—barely—in Anusha Rizvi's sweetly drawn directorial return.

Kapil Sharma is once again a man with many wives in this belated sequel; it's satire meets fantasy meets low comedy

The eight-episode series, inspired by true events, succeeds at simplifying a modern Kashmir tale through sports, humanity and balanced writing.

Aditya Dhar’s second film after 'Uri: The Surgical Strike' stars Ranveer Singh as a patriotic spy trapped in an inert and distracted action thriller.

The 8-episode drama, streaming on YouTube, is imperfect but compelling enough to subvert a preachy genre

Starring Dhanush and Kriti Sanon, Aanand L. Rai’s latest monument to the madness of love is very difficult to sit through.

Ananyabrata Chakravorty’s small-town whodunnit has the ideas, but fails to contain its excitement.

Milap Zaveri’s latest plays out like a prudish porn fantasy parading as an unwatchable sex comedy.

Starring Farhan Akhtar, the historical drama set during the 1962 Sino-Indian war is ambushed by its own mediocrity.

Kanu Behl’s latest exposes the myth of sexual awakening in a world of repressed desires.









